1
00:01:13,865 --> 00:01:15,783
<i>LADIES AND GENTLEMEN,</i>

2
00:01:15,784 --> 00:01:19,246
<i>OUR NATIONAL ANTHEM...</i>

3
00:02:42,412 --> 00:02:45,039
<i>GOOD EVENING AND WELCOME
TO TONIGHT'S GAME--</i>

4
00:02:45,040 --> 00:02:47,584
<i>THE TULSA TORPEDOES
AND THE KANSAS CITY RAMBLERS.</i>

5
00:02:49,628 --> 00:02:51,087
<i>10 YOUNG LADIES ON THE TRACK</i>

6
00:02:51,088 --> 00:02:53,756
<i>FOR THE FIRST JAM
OF THE EVENING.</i>

7
00:02:54,758 --> 00:02:57,593
<i>AND THERE THEY GO!</i>

8
00:02:57,594 --> 00:02:59,595
<i>AND GETTING A WHIP
OUT ON THE JAM</i>

9
00:02:59,596 --> 00:03:01,347
<i>IS NUMBER 11, K.C. CARR,
THE BOMBER HERSELF.</i>

10
00:03:01,348 --> 00:03:04,725
AND K.C. DRAWS AN OPPONENT,
NUMBER 42,

11
00:03:04,726 --> 00:03:06,645
AND THAT'S...SALLY VEGA.

12
00:03:11,650 --> 00:03:13,693
<i>THERE ARE 10 GIRLS ON THE TRACK</i>

13
00:03:13,694 --> 00:03:16,028
<i>FOR THE FIRST JAM
OF THE EVENING.</i>

14
00:03:16,029 --> 00:03:17,947
<i>THEY GET 60 SECONDS
IN WHICH TO SCORE POINTS,</i>

15
00:03:17,948 --> 00:03:20,241
<i>AND EVERYBODY WHO WEARS
A HELMET IS A JAMMER.</i>

16
00:03:20,242 --> 00:03:23,077
<i>THE METHOD OF SCORING
IS THE JAMMER LAPS THE PACK,</i>

17
00:03:23,078 --> 00:03:25,621
<i>AND FOR EACH OPPONENT THEY
PASS, THEY PICK UP ONE POINT.</i>

18
00:03:25,622 --> 00:03:27,623
<i>DOWN GOES SALLY VEGA!</i>

19
00:03:27,624 --> 00:03:28,791
YAY!

20
00:03:28,792 --> 00:03:31,627
<i>THE FANS ARE READY AS
K.C. CARR GETS OUT ON THE JAM.</i>

21
00:03:31,628 --> 00:03:34,130
<i>SHE WENT BACK AND TOOK OUT
HER OPPOSING JAMMER BACK THERE,</i>

22
00:03:34,131 --> 00:03:35,632
<i>WHO WAS SALLY VEGA.</i>

23
00:03:43,682 --> 00:03:46,642
<i>SALLY GOES BACK TO BLOCK,
SENDS HER UP THE RAIL,</i>

24
00:03:46,643 --> 00:03:48,310
<i>AND K.C. KEEPS RIGHT ON COMING.</i>

25
00:03:48,311 --> 00:03:49,979
<i>VEGA MISSES THE CROSS BLOCK,</i>

26
00:03:49,980 --> 00:03:53,065
<i>AND K.C. SCORES--
1, 2, 3, 4.</i>

27
00:03:53,066 --> 00:03:56,318
<i>GOES BACK TO ASSIST NUMBER 28,
"BIG" BERTHA BOGLIANI,</i>

28
00:03:56,319 --> 00:03:59,238
<i>BUT K.C. NEEDS ONE MORE
FOR THE FULL 5 POINTS</i>

29
00:03:59,239 --> 00:04:00,656
<i>AND THAT GRAND SLAM.</i>

30
00:04:00,657 --> 00:04:02,324
<i>WITH ONLY 18 SECONDS REMAINING,</i>

31
00:04:02,325 --> 00:04:05,786
<i>GETS OUT AFTER NUMBER 41,
HONEY SANCHEZ.</i>

32
00:04:05,787 --> 00:04:08,080
<i>COMING UP NOW TO HONEY SANCHEZ,
MOVING IN THERE FAST.</i>

33
00:04:08,081 --> 00:04:09,999
<i>BIG BERTHA AND K.C. CARR</i>

34
00:04:10,000 --> 00:04:11,667
<i>HAVEN'T BEEN GETTING ALONG
TOO MUCH.</i>

35
00:04:11,668 --> 00:04:14,003
<i>BIG BERTHA PUSHES CARR
UP TO THE RAIL.</i>

36
00:04:14,004 --> 00:04:16,130
<i>NOW CARR ALL ALONE.</i>

37
00:04:16,131 --> 00:04:17,840
<i>THERE'S ABOUT 11 SECONDS
REMAINING.</i>

38
00:04:17,841 --> 00:04:19,341
<i>SHE'S COMING UP
TO HONEY SANCHEZ AGAIN,</i>

39
00:04:19,342 --> 00:04:21,343
<i>STILL TRYING TO ASSIST
BIG BERTHA BOGLIANI.</i>

40
00:04:21,344 --> 00:04:23,929
<i>SHE SIDESTEPS,
AND NOW SHE'S UP TO BIG BERTHA.</i>

41
00:04:23,930 --> 00:04:25,097
<i>SHE'S ON HER WAY.</i>

42
00:04:25,098 --> 00:04:26,432
<i>KNOCKS BIG BERTHA DOWN.</i>

43
00:04:29,186 --> 00:04:32,271
<i>AND 5 POINTS FOR K.C. CARR
AND THE KANSAS CITY RAMBLERS.</i>

44
00:04:32,272 --> 00:04:35,274
<i>BOY, OH, BOY-- K.C. CARR
AND BIG BERTHA BOGLIANI--</i>

45
00:04:35,275 --> 00:04:37,359
<i>THERE'S UNHAPPINESS THERE.</i>

46
00:04:37,360 --> 00:04:40,196
<i>THEY JUST HAVEN'T BEEN
GETTING ALONG THESE DAYS.</i>

47
00:04:40,197 --> 00:04:41,822
<i>HERE COMES BIG BERTHA.</i>

48
00:04:43,700 --> 00:04:45,868
<i>CARR WANTS NOTHING TO DO
WITH THIS BIG GAL.</i>

49
00:04:45,869 --> 00:04:47,787
<i>SHE JUST MOVES AWAY.</i>

50
00:04:47,788 --> 00:04:50,790
<i>MOVES AWAY AND JUST SAYS,
"I'LL HAVE NO PART OF YOU.</i>

51
00:04:50,791 --> 00:04:51,791
<i>PEACE, MAMA."</i>

52
00:04:51,792 --> 00:04:53,459
AH, SHUT UP!

53
00:04:53,460 --> 00:04:57,004
<i>BIG BERTHA UNHAPPY, AND
THE FANS WANT NO PART OF HER.</i>

54
00:04:57,005 --> 00:04:59,215
<i>WE'RE COMING UP
TO INTERVIEW TIME,</i>

55
00:04:59,216 --> 00:05:00,883
<i>SO STAY RIGHT WITH US.</i>

56
00:05:00,884 --> 00:05:03,385
IT'S INTERVIEW TIME
WITH K.C. CARR AND BUDDY TAYLOR.

57
00:05:03,386 --> 00:05:06,222
IS IT TRUE THAT SOMEBODY
HAS STARTED A RUMOR AROUND HERE

58
00:05:06,223 --> 00:05:07,723
THAT K.C. CARR IS TO BE TRADED

59
00:05:07,724 --> 00:05:10,059
JUST TO START DISSENSION
ON THE RAMBLERS?

60
00:05:10,060 --> 00:05:11,727
THAT'S ABSOLUTELY RIGHT,
LEN.

61
00:05:11,728 --> 00:05:13,896
AND SOMEBODY STARTED A RUMOR
TO CAUSE DISSENSION

62
00:05:13,897 --> 00:05:15,064
ON THE KANSAS CITY RAMBLERS
CLUB.

63
00:05:15,065 --> 00:05:17,733
AND THERE'S NO TRUTH IN IT,
AND I'VE TOLD K.C. THAT,

64
00:05:17,734 --> 00:05:20,069
AND K.C. KNOWS
SHE'LL NOT BE TRADED.

65
00:05:20,070 --> 00:05:21,737
RIGHT. RIGHT.

66
00:05:21,738 --> 00:05:24,365
DO YOU HAVE ANY IDEA
WHO STARTED THIS RUMOR?

67
00:05:24,366 --> 00:05:26,200
OH, YEAH,
WE KNOW WHO IT IS.

68
00:05:26,201 --> 00:05:28,911
IT'S A CERTAIN
BIG, FAT, UGLY, STUPID--

69
00:05:28,912 --> 00:05:29,912
WAIT, WAIT.

70
00:05:29,913 --> 00:05:32,832
I DON'T EVEN WANT TO SAY
HER NAME ON TELEVISION.

71
00:05:32,833 --> 00:05:35,000
YEAH, BUT HER INITIALS
ARE B.B.B.

72
00:05:35,001 --> 00:05:37,753
WHAT DO YOU MEAN, B.B.B.?

73
00:05:37,754 --> 00:05:40,756
HERE SHE COMES!

74
00:05:40,757 --> 00:05:41,758
OH!

75
00:05:43,176 --> 00:05:45,219
LOOK OUT. HERE COMES...

76
00:05:45,220 --> 00:05:46,762
WAIT A MINUTE.

77
00:05:46,763 --> 00:05:48,764
I'VE BEEN LISTENING
TO YOUR LIES, BUDDY!

78
00:05:48,765 --> 00:05:50,432
NONE OF IT'S TRUE--
NOT A WORD OF IT!

79
00:05:50,433 --> 00:05:53,269
IF I WASN'T SUCH A LADY,
I'D PUNCH YOU IN THE NOSE!

80
00:05:53,270 --> 00:05:55,396
LISTEN HERE,
YOU BIG, FAT BIG MOUTH!

81
00:05:55,397 --> 00:05:56,397
AH-AH!

82
00:05:56,398 --> 00:05:57,940
HEY, LISTEN, BIG BERTHA.

83
00:05:57,941 --> 00:05:59,400
YOU'RE A BIG, FAT TUB OF LARD,

84
00:05:59,401 --> 00:06:02,069
AND YOU CAN'T SKATE
ANY BETTER THAN YOU LOOK!

85
00:06:02,070 --> 00:06:04,530
OKAY, I CHALLENGE YOU
TO A MATCH RACE,

86
00:06:04,531 --> 00:06:06,031
RIGHT HERE NEXT SATURDAY.

87
00:06:06,032 --> 00:06:07,116
BABY, YOU GOT IT!

88
00:06:07,117 --> 00:06:08,868
LET'S MAKE IT INTERESTING.

89
00:06:08,869 --> 00:06:09,952
YOU NAME IT.

90
00:06:09,953 --> 00:06:11,871
GIVE ME THAT MICROPHONE.

91
00:06:11,872 --> 00:06:15,958
I SAY KANSAS CITY ISN'T
BIG ENOUGH FOR THE BOTH OF US.

92
00:06:15,959 --> 00:06:19,211
LOSER HAS TO LEAVE
KANSAS CITY FOREVER!

93
00:06:19,212 --> 00:06:20,796
ABSOLUTELY NOT!
ABSOLUTELY NOT!

94
00:06:20,797 --> 00:06:22,298
WAIT A MINUTE,
WAIT A MINUTE.

95
00:06:22,299 --> 00:06:23,549
I'M NOT AFRAID
TO SKATE!

96
00:06:23,550 --> 00:06:25,467
IT'S AGAINST THE RULES
OF THE COMMISSION!

97
00:06:25,468 --> 00:06:26,427
I CAN'T LET YOU DO IT.

98
00:06:26,428 --> 00:06:28,804
COME HERE, REF.
LET'S TAKE A LOOK.

99
00:06:28,805 --> 00:06:29,763
WELL, THERE IT IS.

100
00:06:29,764 --> 00:06:32,141
"RULE 87-B-- A CHALLENGE
MADE AND ACCEPTED.

101
00:06:32,142 --> 00:06:33,976
THE MATCH RACE MUST BE HELD."

102
00:06:33,977 --> 00:06:35,477
WELL,
THERE YOU'VE GOT IT.

103
00:06:35,478 --> 00:06:36,979
I WON'T
LET YOU DO THAT!

104
00:06:36,980 --> 00:06:38,230
YOU GOT THE RACE.

105
00:06:38,231 --> 00:06:40,316
WELL, THERE IT IS,
LADIES AND GENTLEMEN.

106
00:06:40,317 --> 00:06:42,484
THIS SATURDAY NIGHT,
RIGHT HERE IN THIS ARENA,

107
00:06:42,485 --> 00:06:44,153
AT THE CIVIC ARENA,
A MATCH RACE--

108
00:06:44,154 --> 00:06:45,946
FIVE LAPS, ANYTHING GOES.

109
00:06:45,947 --> 00:06:48,324
BIG BERTHA AND K.C. CARR,
AND THIS IS IT.

110
00:06:48,325 --> 00:06:52,494
THE LOSER MUST LEAVE
KANSAS CITY FOREVER!

111
00:06:52,495 --> 00:06:54,330
WHEN I GET
THROUGH WITH YOU,

112
00:06:54,331 --> 00:06:56,999
YOU'RE GONNA PACK
YOUR BAGS--

113
00:06:57,000 --> 00:06:58,083
WHEN I GET THROUGH WITH YOU,

114
00:06:58,084 --> 00:07:01,837
THEY'RE GONNA HAVE TO TAKE YOU
OUT IN A BASKET!

115
00:07:01,838 --> 00:07:04,256
HOLD ON HERE!

116
00:07:04,257 --> 00:07:06,343
SETTLE DOWN!

117
00:07:09,179 --> 00:07:10,512
WOULD YOU WAIT A MINUTE, MOM?

118
00:07:10,513 --> 00:07:11,513
WHAT I'M TRYING TO SAY

119
00:07:11,514 --> 00:07:13,933
IS THAT THE TEAM
TOURS THROUGH FRESNO, RIGHT?

120
00:07:13,934 --> 00:07:15,851
AND I SHOULD BE ABLE TO GET,
YOU KNOW,

121
00:07:15,852 --> 00:07:17,853
A COUPLE OF DAYS THERE
PRETTY SOON.

122
00:07:19,981 --> 00:07:22,149
ARE THE KIDS AROUND?

123
00:07:22,150 --> 00:07:25,945
WELL, COULD YOU CALL THEM?

124
00:07:25,946 --> 00:07:29,949
I WANT TO SAY HELLO.

125
00:07:29,950 --> 00:07:32,034
MOM, I CAN'T GET INTO THAT
WITH YOU RIGHT NOW.

126
00:07:32,035 --> 00:07:34,620
I'M IN SOMEBODY'S OFFICE.

127
00:07:34,621 --> 00:07:37,039
THERE'S SOMEBODY HERE.

128
00:07:37,040 --> 00:07:41,543
Oh, God.

129
00:07:41,544 --> 00:07:43,504
YEAH, I KNOW.

130
00:07:43,505 --> 00:07:46,382
MOM, I WORK SIX...

131
00:07:48,635 --> 00:07:50,386
OKAY, OKAY.

132
00:07:50,387 --> 00:07:53,013
YEAH, I UNDERSTAND.

133
00:07:53,014 --> 00:07:56,558
I GOTTA GO NOW.

134
00:07:56,559 --> 00:07:58,018
I'LL WRITE TO YOU, MOM.

135
00:07:58,019 --> 00:07:59,645
BYE-BYE.

136
00:08:05,068 --> 00:08:06,068
OH, I'M SORRY.

137
00:08:06,069 --> 00:08:07,361
THAT WAS A LONG-DISTANCE CALL.

138
00:08:07,362 --> 00:08:08,904
I-I CAN GET THE CHARGES.

139
00:08:08,905 --> 00:08:11,323
WELL,
I'M SURE THEY CAN AFFORD IT.

140
00:08:11,324 --> 00:08:12,908
I'M FROM OUT OF TOWN.

141
00:08:12,909 --> 00:08:13,909
I WAS WATCHING
YOUR INTERVIEW.

142
00:08:13,910 --> 00:08:15,577
WHAT ARE YOU GONNA DO

143
00:08:15,578 --> 00:08:17,913
IN CASE
YOU LOSE THAT MATCH RACE?

144
00:08:17,914 --> 00:08:21,375
EVERY TIME YOU'RE TRADED,
THEY SAY IT'S A GOOD DEAL.

145
00:08:21,376 --> 00:08:24,336
I, UH, I DON'T LIKE
MOVING AROUND TOO MUCH.

146
00:08:24,337 --> 00:08:28,924
WELL, MAYBE THIS TIME
THERE WILL BE A BRIGHTER SIDE.

147
00:08:28,925 --> 00:08:30,050
YEAH.

148
00:08:30,051 --> 00:08:31,260
GOOD LUCK.

149
00:08:31,261 --> 00:08:36,098
YOU NEVER KNOW.
THANKS.

150
00:08:36,099 --> 00:08:38,934
YOU SKATE BEAUTIFULLY.

151
00:08:38,935 --> 00:08:40,520
THANKS.

152
00:08:46,776 --> 00:08:49,111
GET YOUR HOT DOGS HERE!

153
00:08:49,112 --> 00:08:50,404
HOT DOGS!

154
00:08:50,405 --> 00:08:51,572
GET 'EM!

155
00:08:54,409 --> 00:08:57,953
<i>...THE REFEREES OUT THERE.</i>

156
00:08:57,954 --> 00:08:59,288
<i>THEY SAY SHE MUST LEAVE.</i>

157
00:08:59,289 --> 00:09:00,456
<i>REMEMBER, THIS IS FIVE LAPS.</i>

158
00:09:00,457 --> 00:09:04,293
<i>ANYTHING AND EVERYTHING GOES!</i>

159
00:09:04,294 --> 00:09:06,128
<i>HERE COMES K.C. CARR!</i>

160
00:09:06,129 --> 00:09:07,588
<i>YESIREE.</i>

161
00:09:07,589 --> 00:09:09,674
<i>SHE'S COMING OUT
FOR HER WARM-UP LAP.</i>

162
00:09:11,217 --> 00:09:15,137
<i>REMEMBER, THE LOSER
OF THIS MATCH RACE</i>

163
00:09:15,138 --> 00:09:19,392
<i>MUST LEAVE KANSAS CITY FOREVER,
AND THAT'S A LONG, LONG TIME.</i>

164
00:09:27,192 --> 00:09:28,734
<i>THIS IS EVERYTHING GOES.</i>

165
00:09:28,735 --> 00:09:31,612
<i>EVERYTHING-- AND I MEAN
THEY CAN MAUL AND PAW</i>

166
00:09:31,613 --> 00:09:35,616
<i>AND DO ANYTHING THEY LIKE.</i>

167
00:09:35,617 --> 00:09:38,744
<i>LADIES AND GENTLEMEN,
THE CHIPS ARE DOWN.</i>

168
00:09:38,745 --> 00:09:40,579
<i>THEY MOVE UP
TO THE STARTING LINE--</i>

169
00:09:40,580 --> 00:09:43,999
<i>K.C. CARR
AND BIG BERTHA BOGLIANI.</i>

170
00:09:44,000 --> 00:09:45,667
<i>WHEN THEY GET
TO THE STARTING LINE,</i>

171
00:09:45,668 --> 00:09:50,005
<i>THE REFEREES MOVE UP TO INFORM
THEM THAT THIS IS FIVE LAPS.</i>

172
00:09:50,006 --> 00:09:52,174
<i>ANYTHING-- EVERYTHING-- GOES.</i>

173
00:09:52,175 --> 00:09:54,093
<i>THEY'LL CALL THE LAPS
AS THEY GO.</i>

174
00:09:54,094 --> 00:09:55,511
<i>THE WHISTLE READY?</i>

175
00:09:55,512 --> 00:09:57,179
<i>THE LADIES ARE READY.</i>

176
00:09:58,515 --> 00:10:01,101
<i>K.C. BREAKS FIRST, GETS OUT...</i>

177
00:10:02,852 --> 00:10:05,270
<i>...STARTS MAULING
AND HAMMERING.</i>

178
00:10:05,271 --> 00:10:09,191
<i>WITH A LEFT TO THE BODY,
HOLDING THE HEAD, REVERSING.</i>

179
00:10:09,192 --> 00:10:10,025
<i>ONE LAP DOWN.</i>

180
00:10:10,026 --> 00:10:12,027
<i>K.C. HANGING IN THERE.</i>

181
00:10:12,028 --> 00:10:14,279
<i>SHOT OFF TO THE RAIL HARD.</i>

182
00:10:14,280 --> 00:10:17,199
THIS IS FOR FIVE LAPS--
ANYTHING GOES.

183
00:10:17,200 --> 00:10:19,034
<i>AND THERE GOES K.C.,</i>

184
00:10:19,035 --> 00:10:22,121
<i>WITH A KICK
WHERE IT DOES THE MOST GOOD.</i>

185
00:10:22,122 --> 00:10:24,039
<i>STARTS HAMMERING--
A RIGHT TO THE BODY.</i>

186
00:10:24,040 --> 00:10:27,209
<i>A RIGHT TO THE HEAD,
HAMMERING AWAY AT THE BIG ONE.</i>

187
00:10:27,210 --> 00:10:29,461
<i>THEY LOOK LIKE
TWO BIG, MAD BUFFALOES,</i>

188
00:10:29,462 --> 00:10:31,505
<i>MAULING AND PAWING EACH OTHER.</i>

189
00:10:31,506 --> 00:10:33,632
<i>BIG BERTHA TURNS AND DROPS HER.</i>

190
00:10:33,633 --> 00:10:37,052
<i>K.C. LOOKS UP AND SAYS,
THIS HAS GOT TO BE.</i>

191
00:10:37,053 --> 00:10:41,056
<i>SHE'S GOT TO HURRY BECAUSE
EVERYTHING IS ON THIS RACE.</i>

192
00:10:41,057 --> 00:10:43,475
<i>SHE COMES BACK TO BIG BERTHA...</i>

193
00:10:47,564 --> 00:10:50,315
<i>BIG BERTHA'S DOWN.</i>

194
00:10:50,316 --> 00:10:52,067
<i>SHE NAILED HER!</i>

195
00:10:52,068 --> 00:10:54,236
<i>K.C. IS ON HER FEET.
GOT TO MAKE THIS ONE.</i>

196
00:10:54,237 --> 00:10:55,070
TWO TO GO!

197
00:10:55,071 --> 00:10:59,074
<i>THIS ONE IS THE ONE
THAT COUNTS.</i>

198
00:10:59,075 --> 00:11:01,076
BECAUSE IF K.C.
DOESN'T GET THIS ONE,

199
00:11:01,077 --> 00:11:02,662
THIS IS THE END OF EVERYTHING.

200
00:11:04,247 --> 00:11:06,832
<i>BACK AGAIN,
HAMMERING AWAY AT EACH OTHER.</i>

201
00:11:11,171 --> 00:11:13,213
<i>...AND AGAIN!</i>

202
00:11:13,214 --> 00:11:14,214
HEY!

203
00:11:14,215 --> 00:11:15,591
<i>BERTHA SKATES AWAY.</i>

204
00:11:15,592 --> 00:11:17,384
<i>THIS MUST BE THE END OF IT.</i>

205
00:11:17,385 --> 00:11:18,427
<i>WAIT A MINUTE!</i>

206
00:11:18,428 --> 00:11:20,095
<i>BERTHA'S GOING BACK.</i>

207
00:11:20,096 --> 00:11:22,681
<i>SHE GOES BACK
AND PICKS UP K.C. AGAIN.</i>

208
00:11:22,682 --> 00:11:26,226
<i>THERE'S A RIGHT HAND
AND THROWS HER DOWN AGAIN.</i>

209
00:11:26,227 --> 00:11:27,102
K.C.'S DOWN AGAIN.

210
00:11:27,103 --> 00:11:28,771
SHE'S TRYING TO STOMP HER.

211
00:11:30,648 --> 00:11:33,233
<i>BERTHA JUST SKATES AWAY.</i>

212
00:11:33,234 --> 00:11:35,777
<i>THIS IS THE FINAL LAP,
AND K.C. IS DOWN.</i>

213
00:11:35,778 --> 00:11:37,196
<i>BIG BERTHA'S SKATING.</i>

214
00:11:37,197 --> 00:11:41,867
<i>WAIT A MINUTE!</i>

215
00:11:41,868 --> 00:11:45,120
I'M GONNA STOMP HER WITH
MY SKATES AND MARK UP THAT FACE.

216
00:11:45,121 --> 00:11:46,872
SHE WON'T BE THE PRETTIEST GIRL
IN ROLLER DERBY ANYMORE!

217
00:11:46,873 --> 00:11:51,126
NOW YOU TELL 'EM!

218
00:11:51,127 --> 00:11:52,461
<i>HEY, WAIT A MINUTE.</i>

219
00:11:52,462 --> 00:11:54,880
<i>HERE'S A FAN...</i>

220
00:11:54,881 --> 00:11:56,715
<i>HE'S TRYING TO GET AT BERTHA.</i>

221
00:11:56,716 --> 00:11:58,467
<i>THE OFFICERS HAVE HIM.</i>

222
00:11:58,468 --> 00:12:00,511
<i>GET HIM OUT OF THERE.</i>

223
00:12:01,888 --> 00:12:03,764
<i>BIG BERTHA GOING BACK,</i>

224
00:12:03,765 --> 00:12:07,267
<i>SAYS SHE'S GONNA STOMP
THE PRETTY FACE OF K.C. CARR.</i>

225
00:12:07,268 --> 00:12:09,561
<i>...DRIVES A RIGHT HAND
TO THE BODY.</i>

226
00:12:09,562 --> 00:12:12,564
<i>DRIVES HER IN THE FACE
AND K.C. IS DOWN.</i>

227
00:12:12,565 --> 00:12:13,899
<i>HERE COMES THE SKATE!</i>

228
00:12:13,900 --> 00:12:18,820
<i>K.C. TRIPS HER,
AND BIG BERTHA IS DOWN.</i>

229
00:12:18,821 --> 00:12:19,905
<i>K.C. TAKES A SKATE TO HER.</i>

230
00:12:19,906 --> 00:12:23,283
<i>INTO THE SIDE,
WHERE IT DOES THE MOST GOOD.</i>

231
00:12:23,284 --> 00:12:25,452
<i>JAB TO THE MIDDLE
AND SKATES AWAY.</i>

232
00:12:25,453 --> 00:12:27,287
<i>GOING DOWN TO THE FINISH.</i>

233
00:12:27,288 --> 00:12:30,457
<i>K.C. CARR,
THAT'S THE BOMBER HERSELF.</i>

234
00:12:30,458 --> 00:12:32,292
<i>GOING DOWN TO THE FINISH.</i>

235
00:12:32,293 --> 00:12:34,253
<i>HEY, WAIT A MINUTE.</i>

236
00:12:34,254 --> 00:12:37,256
<i>HERE COMES BERTHA AGAIN.</i>

237
00:12:37,257 --> 00:12:38,173
<i>DROPS HER DOWN.</i>

238
00:12:38,174 --> 00:12:41,176
<i>CROSSES THE FINISH LINE
AND WINS IT.</i>

239
00:12:41,177 --> 00:12:44,179
<i>WINS THE MATCH RACE,</i>

240
00:12:44,180 --> 00:12:46,848
<i>AND K.C. CARR
MUST LEAVE KANSAS CITY FOREVER.</i>

241
00:12:46,849 --> 00:12:50,269
<i>OH, AND SHE'S BOILING MAD!</i>

242
00:12:54,232 --> 00:12:55,857
WELL, CONGRATULATIONS, BURT.

243
00:12:55,858 --> 00:12:58,527
YOU'RE GETTING QUITE A SKATER
IN THAT GIRL.

244
00:12:58,528 --> 00:13:00,320
YOU KNOW,
IN SIX MONTHS' TIME, BUDDY,

245
00:13:00,321 --> 00:13:01,947
YOU'RE GONNA WISH
YOU TRADED ME YOUR RIGHT ARM

246
00:13:01,948 --> 00:13:03,323
RATHER THAN K.C. CARR.

247
00:13:03,324 --> 00:13:04,491
WE'LL SEE YOU.

248
00:13:04,492 --> 00:13:06,285
PEANUTS HERE!

249
00:15:05,905 --> 00:15:06,864
GO! GO!

250
00:15:12,537 --> 00:15:13,453
K.C., GO...

251
00:15:13,454 --> 00:15:14,996
LADIES AND GENTLEMEN...

252
00:15:18,835 --> 00:15:20,669
...K.C. DYNAMITE!

253
00:15:20,670 --> 00:15:24,464
WHOO!

254
00:15:24,465 --> 00:15:25,757
OKAY, GO NOW.

255
00:15:25,758 --> 00:15:27,510
THERE SHE IS.

256
00:15:29,929 --> 00:15:32,431
GET HER, GET HER, GET HER.

257
00:15:32,432 --> 00:15:34,015
PLEASE BE CAREFUL!

258
00:15:35,017 --> 00:15:36,685
SHE'S PRETTY GOOD!

259
00:15:36,686 --> 00:15:37,853
SHE BEAT ME.

260
00:15:37,854 --> 00:15:41,773
ALL RIGHT, SIT DOWN HERE,
CATCH YOUR BREATH.

261
00:15:41,774 --> 00:15:43,775
UM, I NEED
SOME NEW SKATES.

262
00:15:43,776 --> 00:15:45,360
SEE, THESE ARE ALL WORN.

263
00:15:45,361 --> 00:15:48,363
OH, YOU HAVEN'T HAD
THOSE SKATES FOR A MONTH.

264
00:15:48,364 --> 00:15:49,948
SHE KNOWS ALL SHE'S GOT TO DO
IS ASK YOU.

265
00:15:49,949 --> 00:15:51,032
THEY'RE PRETTY WORN.

266
00:15:51,033 --> 00:15:53,452
CONCRETE'S ROUGH ON SKATES,
HUH?

267
00:15:53,453 --> 00:15:55,036
HEY...HOW'S MY BOY?

268
00:15:55,037 --> 00:15:59,499
THANK GOD
<i>HE</i> HATES SKATING.

269
00:15:59,500 --> 00:16:00,375
HEY, K.C.--

270
00:16:00,376 --> 00:16:03,462
I TOLD YOU NOT TO CALL
YOUR MOTHER K.C.

271
00:16:03,463 --> 00:16:06,548
HEY, <i>MOM,</i> WHEN YOU FALL DOWN
ON THE TRACK

272
00:16:06,549 --> 00:16:09,885
OR BUMP YOURSELF OR SOMETHING,
DOES IT HURT?

273
00:16:09,886 --> 00:16:11,386
YEAH, SOMETIMES.

274
00:16:11,387 --> 00:16:12,721
BUT YOU DON'T CARE.

275
00:16:12,722 --> 00:16:15,056
WELL,
IT'S PART OF THE GAME.

276
00:16:15,057 --> 00:16:18,059
SEE, STUPID!
I TOLD YOU SHE DIDN'T CARE.

277
00:16:18,060 --> 00:16:22,607
WALT, HONEY, COME ON IN THE
HOUSE AND HELP ME FIX SUPPER.

278
00:16:30,448 --> 00:16:33,074
HEY, MOM, WHITE ONES?

279
00:16:33,075 --> 00:16:34,159
WHAT?

280
00:16:34,160 --> 00:16:36,077
WHITE SKATES.

281
00:16:36,078 --> 00:16:39,957
OH, YEAH, SURE.
WHITE ONES.

282
00:16:47,673 --> 00:16:51,594
WALT...
WON'T YOU EVEN TALK TO ME?

283
00:16:54,472 --> 00:16:55,430
LOOK...

284
00:16:55,431 --> 00:16:59,017
WALT, DON'T WORRY ABOUT MOM.

285
00:16:59,018 --> 00:17:01,603
I WON'T GET HURT-- HONEST.

286
00:17:01,604 --> 00:17:03,104
I PROMISE YOU.

287
00:17:03,105 --> 00:17:04,898
WALT, PLEASE.

288
00:17:04,899 --> 00:17:06,107
PLEASE.

289
00:17:07,610 --> 00:17:11,531
NO!

290
00:17:30,716 --> 00:17:34,135
<i>IF I HAD THE MONEY
I SPENT ON ROLLER GAMES,</i>

291
00:17:34,136 --> 00:17:35,804
<i>I THINK I'D BE RICH!</i>

292
00:17:35,805 --> 00:17:38,807
<i>BUT I WOULDN'T TRADE IT
FOR NOTHIN'.</i>

293
00:17:38,808 --> 00:17:42,186
<i>I JUST LOVE IT...
AND KEEP COMIN' BACK.</i>

294
00:17:44,689 --> 00:17:47,482
GET YOUR PROGRAMS!

295
00:17:47,483 --> 00:17:49,484
EVENING, FELLAS.

296
00:17:49,485 --> 00:17:51,903
EVENING, MR. HENRY.

297
00:17:51,904 --> 00:17:53,488
MR. HENRY, HOW ARE YOU?

298
00:17:53,489 --> 00:17:54,489
HOW ARE YOU?

299
00:17:54,490 --> 00:17:56,241
HOW YOU DOING THERE,
MR. HENRY?

300
00:17:56,242 --> 00:17:57,617
HELLO, BURT,
HOW ARE YOU?

301
00:17:57,618 --> 00:17:59,494
HEY, DICK.

302
00:17:59,495 --> 00:18:00,829
HI, MR. HENRY.

303
00:18:00,830 --> 00:18:02,497
HOW ARE YOU?

304
00:18:02,498 --> 00:18:03,498
MR. HENRY?

305
00:18:03,499 --> 00:18:04,416
HANK.

306
00:18:04,417 --> 00:18:06,501
I WANTED TO TALK TO YOU
IF I COULD.

307
00:18:06,502 --> 00:18:07,669
LISTEN, HANK, ANOTHER TIME.

308
00:18:07,670 --> 00:18:09,838
COLOR.
COLOR-- THAT'S THE WORD.

309
00:18:09,839 --> 00:18:12,173
GET GOING, GET GOING.
COME ON.

310
00:18:12,174 --> 00:18:14,509
WHEN YOU GONNA GET ME
SOME NEW WHEELS?

311
00:18:17,513 --> 00:18:19,097
OH, SAY,
I APPRECIATE YOUR COMING IN,

312
00:18:19,098 --> 00:18:20,765
BUT I DON'T WANT YOU SKATING
FOR A COUPLE MORE DAYS.

313
00:18:20,766 --> 00:18:25,687
BRING ME THAT TOWEL!

314
00:18:25,688 --> 00:18:29,567
WHO WAS THE WISE GUY
RIGGED THESE DRAWERS?

315
00:18:31,277 --> 00:18:34,821
OH, MATT'S JUST TALKING.

316
00:18:34,822 --> 00:18:37,824
HOW ARE YOU, GIRLS?

317
00:18:37,825 --> 00:18:40,994
SORRY TO BOTHER YOU, GIRLS,
BUT I WANTED TO WELCOME

318
00:18:40,995 --> 00:18:44,623
THE LATEST ADDITION
TO THE PORTLAND LOGGERS.

319
00:18:44,624 --> 00:18:46,541
I'M BURT HENRY.
I OWN THE LOGGERS.

320
00:18:46,542 --> 00:18:47,167
OH.

321
00:18:47,168 --> 00:18:48,668
LET ME ASK YOU--

322
00:18:48,669 --> 00:18:50,545
DID VIVIEN GET YOU
ALL STRAIGHTENED AWAY, DIANE?

323
00:18:50,546 --> 00:18:52,547
YES, SIR. THANK YOU.

324
00:18:52,548 --> 00:18:53,882
A BIT OF A PROBLEM--

325
00:18:53,883 --> 00:18:55,842
THE RENEGADES CLAIM
THEY HAD FIRST OPTION

326
00:18:55,843 --> 00:18:57,844
ON YOUR CONTRACT.

327
00:18:57,845 --> 00:19:00,555
I'LL HAVE IT STRAIGHTENED OUT
BY MONDAY.

328
00:19:00,556 --> 00:19:01,806
UNTIL THEN, IT MIGHT CAUSE
A LITTLE LESS TROUBLE

329
00:19:01,807 --> 00:19:04,851
IF YOU SKATED
WITH THE RENEGADES, OKAY?

330
00:19:04,852 --> 00:19:06,061
UH, YES, SIR.

331
00:19:06,062 --> 00:19:10,690
THANKS.

332
00:19:10,691 --> 00:19:13,985
OKAY, NOW WE HAVE A DECENT HOUSE
OUT THERE TONIGHT--

333
00:19:13,986 --> 00:19:15,070
NOT A GREAT ONE.

334
00:19:15,071 --> 00:19:16,988
BUT YOU KNOW THE WAY I PLAY IT.

335
00:19:16,989 --> 00:19:19,199
IF THERE'S ONE ROLLER GAME FAN
OUT THERE,

336
00:19:19,200 --> 00:19:20,992
WE GIVE THAT ONE FAN
EVERYTHING WE'VE GOT.

337
00:19:20,993 --> 00:19:23,244
WE MAKE IT RIGHT FOR THEM.
OKAY?

338
00:19:23,245 --> 00:19:25,205
RIGHT.
YES, SIR.

339
00:19:25,206 --> 00:19:26,247
WHERE'S JACKIE?

340
00:19:26,248 --> 00:19:28,667
VIVIEN?

341
00:19:28,668 --> 00:19:33,755
SHE HASN'T COME IN YET,
MR. HENRY.

342
00:19:33,756 --> 00:19:36,925
Hey!

343
00:19:36,926 --> 00:19:39,761
DID THE BOSS--
DID THE BOSS CALL YOU DIANE?

344
00:19:39,762 --> 00:19:40,887
YEAH.

345
00:19:40,888 --> 00:19:42,889
I THOUGHT IT WAS K.C.

346
00:19:42,890 --> 00:19:45,725
EITHER WAY.

347
00:19:45,726 --> 00:19:47,769
HE DOESN'T WASTE ANY TIME.

348
00:19:54,360 --> 00:19:55,944
HI THERE.
I'M LOVEY SANFORD.

349
00:19:55,945 --> 00:19:57,278
HI.

350
00:19:57,279 --> 00:19:59,781
I'M REALLY SORRY
ABOUT THE CONTRACT.

351
00:19:59,782 --> 00:20:01,783
I THOUGHT YOU WERE SUPPOSED
TO SKATE WITH US.

352
00:20:01,784 --> 00:20:04,619
YEAH, SO DID I, TILL JUST NOW.

353
00:20:04,620 --> 00:20:07,956
UM...HEY, LOOK, DO YOU HAVE
A PLACE TO STAY YET?

354
00:20:07,957 --> 00:20:09,624
I HAVEN'T EVEN HAD TIME
TO LOOK.

355
00:20:09,625 --> 00:20:10,625
WELL, I'VE GOT AN IDEA.

356
00:20:10,626 --> 00:20:11,793
WHY DON'T YOU STAY WITH ME?

357
00:20:11,794 --> 00:20:14,921
THE PRICE IS RIGHT.

358
00:20:14,922 --> 00:20:16,131
WELL, OKAY.

359
00:20:16,132 --> 00:20:17,382
THEN IT'S A DEAL?

360
00:20:17,383 --> 00:20:18,133
YEAH.

361
00:20:18,134 --> 00:20:21,636
WELL, GREAT.

362
00:20:21,637 --> 00:20:22,721
THANKS A LOT.

363
00:20:22,722 --> 00:20:24,931
UH, MEET YOU AFTER THE GAME,
I GUESS.

364
00:20:24,932 --> 00:20:27,767
ALL RIGHT.

365
00:20:27,768 --> 00:20:29,102
JACKIE,
WHERE THE HELL HAVE YOU BEEN?

366
00:20:29,103 --> 00:20:31,312
MR. HENRY'S BEEN LOOKING
ALL OVER FOR YOU.

367
00:20:31,313 --> 00:20:33,773
HE MUST HAVE LOOKED EVERYWHERE
BUT WHERE I WAS.

368
00:20:33,774 --> 00:20:35,650
K.C., COME HERE A MINUTE.

369
00:20:35,651 --> 00:20:37,152
K.C. CARR, JACKIE BURDETTE.

370
00:20:37,153 --> 00:20:38,153
YOU TWO HAVEN'T MET.

371
00:20:38,154 --> 00:20:41,322
HI, THERE.

372
00:20:45,786 --> 00:20:47,162
$10 FINE, BURDETTE.

373
00:20:47,163 --> 00:20:48,913
ALL RIGHT, COME ON.

374
00:20:48,914 --> 00:20:51,332
PEGGY, GET YOUR HAIR COMBED...

375
00:20:51,333 --> 00:20:52,667
OR I'M GONNA SHAVE YOUR HEAD.

376
00:20:52,668 --> 00:20:56,671
COME ON. MOVE!
GO!

377
00:20:56,672 --> 00:20:58,089
OW!

378
00:20:58,090 --> 00:21:01,342
<i>IT LOOKS
LIKE NUMBER 7, JACKIE BURDETTE,</i>

379
00:21:01,343 --> 00:21:03,344
<i>THE GIRLS' CAPTAIN
OF THE PORTLAND LOGGERS.</i>

380
00:21:03,345 --> 00:21:06,681
<i>ALSO OUT WITH HER, THAT'S
NUMBER 30, JUDY SOWINSKI,</i>

381
00:21:06,682 --> 00:21:07,849
<i>OF THE RENEGADES.</i>

382
00:21:07,850 --> 00:21:10,810
<i>SHE'S ALSO THE GIRLS' CAPTAIN
OF THE RENEGADES.</i>

383
00:21:10,811 --> 00:21:12,687
<i>AND IT'S A ONE-ON-ONE JAM--
TWO CAPTAINS OUT THERE.</i>

384
00:21:12,688 --> 00:21:14,689
<i>LOOK AT THOSE ELBOWS FLY.</i>

385
00:21:14,690 --> 00:21:16,357
<i>BURDETTE NOW COMING OUT
UP TO SOWINSKI.</i>

386
00:21:16,358 --> 00:21:17,358
<i>WHOA, LOOK OUT!</i>

387
00:21:17,359 --> 00:21:21,196
<i>DOWN GOES SOWINSKI.</i>

388
00:21:21,197 --> 00:21:23,364
GO, JACKIE!

389
00:21:23,365 --> 00:21:24,824
<i>...HERE SHE COMES NOW.</i>

390
00:21:24,825 --> 00:21:27,702
<i>K.C. CARR BACK THERE
TO DO THE BLOCKING.</i>

391
00:21:27,703 --> 00:21:29,162
<i>K.C. CARR, FROM KANSAS CITY,</i>

392
00:21:29,163 --> 00:21:32,373
<i>SKATING FOR THE RENEGADES
HER VERY FIRST TIME.</i>

393
00:21:32,374 --> 00:21:35,376
<i>JACKIE BURDETTE CAN'T SEEM
TO GET BY HER YET.</i>

394
00:21:35,377 --> 00:21:37,378
<i>K.C. CARR
DOING A REAL GOOD JOB.</i>

395
00:21:37,379 --> 00:21:39,881
<i>K.C.-- LOOK AT HER
THROW THOSE ELBOWS.</i>

396
00:21:39,882 --> 00:21:42,967
<i>AND JACKIE BURDETTE
DOESN'T KNOW WHAT'S HIT HER.</i>

397
00:21:42,968 --> 00:21:45,720
<i>JACKIE BURDETTE LAYING BACK.</i>

398
00:21:45,721 --> 00:21:48,306
<i>HERE SHE COMES
WITH THAT HAMMER BLOCK.</i>

399
00:21:48,307 --> 00:21:51,810
<i>AND LOOK OUT.
DOWN GOES K.C. HARD.</i>

400
00:21:51,811 --> 00:21:54,145
<i>BURDETTE NOW COMING UP
ON A DOUBLE DEFENSE--</i>

401
00:21:54,146 --> 00:21:55,730
<i>BREAKS RIGHT THROUGH IT.</i>

402
00:21:55,731 --> 00:21:57,482
<i>NOW SHE'S GOING ON
TO SOME MORE.</i>

403
00:21:57,483 --> 00:21:59,067
<i>SHE WANTS TO PICK THEM ALL UP.</i>

404
00:21:59,068 --> 00:22:00,235
<i>THERE'S THE WHIP.</i>

405
00:22:00,236 --> 00:22:03,404
<i>TIME IS RUNNING OUT.</i>

406
00:22:03,405 --> 00:22:05,740
<i>JUST ABOUT FIVE SECONDS.</i>

407
00:22:05,741 --> 00:22:07,242
<i>CAN SHE DO IT?
HERE SHE GOES.</i>

408
00:22:10,746 --> 00:22:14,082
<i>I DON'T KNOW IF SHE'LL GET
THOSE 5 POINTS.</i>

409
00:22:14,083 --> 00:22:16,000
<i>WHAT DO THE REFEREES SAY?
THEY SAY 5!</i>

410
00:22:16,001 --> 00:22:18,086
IT WAS NOT 5 POINTS!
IT WAS 4!

411
00:22:18,087 --> 00:22:20,256
5 POINTS IN THIS ROUND!

412
00:22:24,009 --> 00:22:28,847
<i>THE REFEREES' DECISION
IS FINAL.</i>

413
00:22:28,848 --> 00:22:33,059
<i>5 BIG POINTS FOR THE LOGGERS
SCORED BY JACKIE BURDETTE.</i>

414
00:22:33,060 --> 00:22:35,854
<i>GIRLS' CAPTAIN
OF THE LOGGER TEAM,</i>

415
00:22:35,855 --> 00:22:39,524
<i>AND THE FANS LOVE HER.</i>

416
00:22:39,525 --> 00:22:42,861
<i>THAT'S THE END OF THE GIRLS'
SKATING PERIOD OF PLAY.</i>

417
00:22:42,862 --> 00:22:45,947
<i>AND IT'S TIME FOR THE MEN
TO TAKE THE TRACK.</i>

418
00:22:45,948 --> 00:22:47,782
<i>LOTS OF EXCITEMENT TONIGHT.</i>

419
00:22:47,783 --> 00:22:49,284
THINGS ARE LOOKING UP.

420
00:22:49,285 --> 00:22:50,785
WHOA, WHOA, WHOA!

421
00:22:50,786 --> 00:22:53,788
HOW WOULD YOU LIKE
TO GET LAID TONIGHT, K.C.?

422
00:22:53,789 --> 00:22:55,123
WHO'D YOU HAVE IN MIND?

423
00:22:55,124 --> 00:22:57,125
I WAS THINKING ME AND YOU.

424
00:22:57,126 --> 00:22:59,878
<i>...OUT IN THE LOBBY
RIGHT NOW-- ONLY $1.</i>

425
00:22:59,879 --> 00:23:02,797
<i>IT GIVES YOU
ALL THE FACTS AND FIGURES</i>

426
00:23:02,798 --> 00:23:04,465
<i>ABOUT YOUR FAVORITE SKATERS.</i>

427
00:23:04,466 --> 00:23:06,885
<i>...FOR THE SECOND
SKATING PERIOD.</i>

428
00:23:06,886 --> 00:23:10,138
<i>AND LET'S SEE WHO WILL BE FIRST
TO GET OUT FOR THIS PERIOD.</i>

429
00:23:10,139 --> 00:23:13,224
<i>LOOKS LIKE THE RENEGADES
GETTING SOME MEN UP THERE.</i>

430
00:23:13,225 --> 00:23:16,311
<i>YEP, LOOKS LIKE
THEY'RE SETTING UP TWO OF THEM.</i>

431
00:23:16,312 --> 00:23:18,897
<i>THEY'VE GOT TWO JAMMERS OUT.</i>

432
00:23:18,898 --> 00:23:21,817
<i>THAT'S LEON JACKSON
AND GEORGE ADAMS.</i>

433
00:23:23,402 --> 00:23:28,323
<i>...TWO-ON-ONE JAM.</i>

434
00:23:28,324 --> 00:23:29,490
<i>LET'S SEE WHAT HAPPENS.</i>

435
00:23:29,491 --> 00:23:31,492
<i>COMING UP
AGAINST THAT DOUBLE BLOCK.</i>

436
00:23:31,493 --> 00:23:32,952
<i>CAN HE GET BY?</i>

437
00:23:32,953 --> 00:23:33,912
<i>HERE HE COMES.</i>

438
00:23:33,913 --> 00:23:34,996
<i>LET'S SEE...</i>

439
00:23:34,997 --> 00:23:36,456
<i>HE'S UP. NO!</i>

440
00:23:36,457 --> 00:23:38,124
<i>ADAMS GOES HARD.</i>

441
00:23:38,125 --> 00:23:38,833
<i>HE'S GETTING BACK UP AGAIN.</i>

442
00:23:38,834 --> 00:23:40,835
<i>MAYBE HE'LL GET A SECOND TRY.</i>

443
00:23:40,836 --> 00:23:44,339
<i>OKAY, A 10-POINT SCORING
POSSIBILITY FOR THE RENEGADES</i>

444
00:23:44,340 --> 00:23:46,341
<i>RIGHT NOW
WITH ADAMS AND JACKSON.</i>

445
00:23:46,342 --> 00:23:48,343
<i>CAPTAIN RANDY ROGERS
TRYING TO SET UP A DEFENSE.</i>

446
00:23:48,344 --> 00:23:51,846
<i>HE SENDS BOB CARTER, NUMBER 3,
BACK TO DO THE BLOCKING.</i>

447
00:23:51,847 --> 00:23:53,014
<i>LOOK AT THIS CARTER WORK!</i>

448
00:23:53,015 --> 00:23:55,600
<i>HE'S LETTING RONNIE RAINS,
NUMBER 37, HAVE IT,</i>

449
00:23:55,601 --> 00:23:57,977
<i>ALONG WITH THE TWO
RENEGADE JAMMERS.</i>

450
00:23:57,978 --> 00:24:02,023
<i>THEY CAN'T GO ANYWHERE.</i>

451
00:24:02,024 --> 00:24:03,024
<i>AND HE SENDS RAINS</i>

452
00:24:03,025 --> 00:24:05,610
<i>RIGHT UP TO RALPHIE VALLADEREZ,
NUMBER 3.</i>

453
00:24:05,611 --> 00:24:07,028
<i>VALLADEREZ NOW TAKING CARE OF RAINS.</i>

454
00:24:07,029 --> 00:24:11,950
<i>LOOK OUT!
RAINS OVER THE RAIL.</i>

455
00:24:11,951 --> 00:24:15,370
<i>...PICKS UP 3--
3 BIG POINTS FOR THE LOGGERS.</i>

456
00:24:15,371 --> 00:24:16,996
<i>OUT OF NOWHERE</i>

457
00:24:16,997 --> 00:24:19,040
<i>COMES LITTLE RICHARD BROWN
TO TIE THE SCORE.</i>

458
00:24:19,041 --> 00:24:22,043
<i>20 NOW FOR THE LOGGERS,
20 FOR THE RENEGADES.</i>

459
00:24:22,044 --> 00:24:24,337
<i>OUT ON THIS JAM
IT'S LEON JACKSON AGAIN,</i>

460
00:24:24,338 --> 00:24:27,382
<i>AND HE'S UP AGAINST THAT
BIG MAN, HORRIBLE HANK--</i>

461
00:24:27,383 --> 00:24:28,883
<i>"HORRIBLE HOG" HANK HOPKINS.</i>

462
00:24:28,884 --> 00:24:31,386
<i>AND HORRIBLE HANK'S
LETTING HIM HAVE IT.</i>

463
00:24:31,387 --> 00:24:34,138
<i>THIS JACKSON'S
GOT TROUBLE ON HIS HANDS</i>

464
00:24:34,139 --> 00:24:35,890
<i>WITH HORRIBLE HANK BACK THERE.</i>

465
00:24:35,891 --> 00:24:37,642
<i>THIS HANK CAN BE VICIOUS.</i>

466
00:24:37,643 --> 00:24:38,393
<i>AND LOOK AT THAT!</i>

467
00:24:38,394 --> 00:24:39,477
<i>YOU TALK ABOUT A VICIOUS BLOCK.</i>

468
00:24:39,478 --> 00:24:42,397
<i>HE'S COMING BACK
TO GIVE HIM SOME MORE, TOO.</i>

469
00:24:42,398 --> 00:24:45,233
<i>LEON JACKSON TAKING IT HARD.
LOOK AT THIS MAN WORK!</i>

470
00:24:45,234 --> 00:24:47,902
<i>THE HORRIBLE HOG
IS DOING A JOB ON HIM.</i>

471
00:24:47,903 --> 00:24:49,404
<i>COMING BACK, HE'S GOT HIM UP.</i>

472
00:24:49,405 --> 00:24:51,072
<i>KICKS HIM EVERYWHERE.</i>

473
00:24:51,073 --> 00:24:53,074
<i>SLUGGING HIM, BEATING.</i>

474
00:24:53,075 --> 00:24:54,534
<i>WHAT'S THIS?</i>

475
00:24:54,535 --> 00:24:57,078
<i>K.C. CARR, THE NEWCOMER
FROM KANSAS CITY, GOT A MOP.</i>

476
00:24:57,079 --> 00:25:00,039
<i>LOOKS LIKE SHE'S
GOING AFTER HORRIBLE HANK.</i>

477
00:25:00,040 --> 00:25:01,082
<i>JACKIE BURDETTE LOOKING ON.</i>

478
00:25:01,083 --> 00:25:02,083
<i>SHE'S GOING AFTER HIM,</i>

479
00:25:02,084 --> 00:25:02,667
<i>HITTING HIM WITH THAT MOP.</i>

480
00:25:02,668 --> 00:25:05,044
<i>SAYS, DON'T DO THAT.</i>

481
00:25:05,045 --> 00:25:07,046
<i>GIVES HIM THE MOP.</i>

482
00:25:07,047 --> 00:25:08,423
<i>NOW HANK'S GOT THE MOP.</i>

483
00:25:08,424 --> 00:25:10,091
<i>UH-OH. LOOK OUT, K.C.</i>

484
00:25:10,092 --> 00:25:12,385
<i>HANK'S GOT THAT MOP,
AND YOU ARE IN TROUBLE.</i>

485
00:25:12,386 --> 00:25:14,095
<i>K.C. IS UP.</i>

486
00:25:14,096 --> 00:25:15,346
<i>LOOK OUT!</i>

487
00:25:15,347 --> 00:25:17,015
<i>THERE'S JACKIE BURDETTE.</i>

488
00:25:17,016 --> 00:25:18,391
<i>KNOCKS K.C. DOWN.</i>

489
00:25:18,392 --> 00:25:21,519
<i>AND THEY MOP UP THE FLOOR
WITH K.C. CARR.</i>

490
00:25:21,520 --> 00:25:22,937
<i>SHE GETS THE MOP.</i>

491
00:25:22,938 --> 00:25:28,109
<i>JACKIE AND HORRIBLE HANK
GET THE APPLAUSE.</i>

492
00:25:28,110 --> 00:25:29,444
K.C.! K.C.!

493
00:25:29,445 --> 00:25:31,112
JUST WHAT IN THE HELL

494
00:25:31,113 --> 00:25:34,198
DO YOU THINK YOU WERE DOING
WITH HANK OUT THERE?

495
00:25:34,199 --> 00:25:36,284
OH, THAT MOP DIDN'T
HURT ME NONE, VIVIEN.

496
00:25:36,285 --> 00:25:38,953
I WANNA TELL YOU SOMETHING
RIGHT NOW, YOUNG LADY.

497
00:25:38,954 --> 00:25:39,954
THERE'S NOT GONNA BE
ANY SHOWBOATING AROUND HERE

498
00:25:39,955 --> 00:25:40,872
UNLESS I TELL YOU SO.

499
00:25:40,873 --> 00:25:43,124
OR YOU'RE GONNA FIND
THAT ASS OF YOURS

500
00:25:43,125 --> 00:25:44,542
WARMING A BENCH
A FULL SEASON.

501
00:25:44,543 --> 00:25:46,961
MR. HENRY WANTS TO SEE YOU
IN HIS OFFICE NOW.

502
00:25:46,962 --> 00:25:50,089
JACKIE,
HAUL YOUR ASS IN THERE, TOO.

503
00:25:50,090 --> 00:25:52,467
ALL RIGHT, EVERYBODY,
GET YOUR JERSEYS OFF.

504
00:25:52,468 --> 00:25:53,719
LAUNDRY TONIGHT.

505
00:25:58,682 --> 00:26:01,142
OH!

506
00:26:01,143 --> 00:26:02,643
JUST WANT YOU TO KNOW

507
00:26:02,644 --> 00:26:06,564
THERE'S NO HARD FEELINGS--
YOU DUMPIN' ME OUT THERE.

508
00:26:06,565 --> 00:26:08,566
JUST SOMETHING
I SUPPOSE YOU HAD TO DO.

509
00:26:08,567 --> 00:26:13,071
THAT'S RIGHT.

510
00:26:13,072 --> 00:26:15,156
...IS 12%.

511
00:26:15,157 --> 00:26:17,617
FIGURES ARE RIGHT HERE.

512
00:26:17,618 --> 00:26:21,079
AND CONCESSIONS UP
PROPORTIONATELY.

513
00:26:21,080 --> 00:26:22,663
RIGHT.

514
00:26:22,664 --> 00:26:26,417
NO, ACTUALLY MORE THAN THAT...
MORE.

515
00:26:26,418 --> 00:26:28,336
ANYTIME.

516
00:26:28,337 --> 00:26:31,006
ANYTIME AT ALL.

517
00:26:46,772 --> 00:26:49,023
GOOD MATCH TONIGHT-- REAL GOOD.

518
00:26:49,024 --> 00:26:50,024
PEOPLE LOVED IT.

519
00:26:50,025 --> 00:26:53,027
THAT BUSINESS WITH HORRIBLE HANK
AND THE MOP?

520
00:26:53,028 --> 00:26:54,362
JUST REAL GOOD.

521
00:26:54,363 --> 00:26:57,698
JACKIE, THAT BLOCK YOU THREW--
EXCELLENT.

522
00:26:57,699 --> 00:26:59,033
THANK YOU, MR. HENRY.

523
00:26:59,034 --> 00:27:02,120
HOW DID YOU COME OUT OF IT?
NO BRUISES?

524
00:27:02,121 --> 00:27:05,164
JUST FINE.
THANK YOU, SIR.

525
00:27:05,165 --> 00:27:06,165
GOOD, GOOD.

526
00:27:06,166 --> 00:27:08,042
WE JUST MIGHT CONTINUE
SOMETHING OF THIS SORT

527
00:27:08,043 --> 00:27:10,169
WHEN YOU'RE WEARING
THE SAME UNIFORMS.

528
00:27:10,170 --> 00:27:13,047
TWO PRETTY GIRLS?
CUSTOMERS WILL LOVE IT.

529
00:27:13,048 --> 00:27:15,133
I JUST WANTED YOU TO KNOW
THAT COLOR OF THAT SORT

530
00:27:15,134 --> 00:27:18,554
IS APPRECIATED BY ME
AS WELL AS BY THE FANS.

531
00:27:26,770 --> 00:27:28,729
K.C., WOULD YOU STAY BEHIND?

532
00:27:28,730 --> 00:27:31,316
THANK YOU, JACKIE.

533
00:27:36,405 --> 00:27:40,159
UM...SIT DOWN AGAIN, K.C.

534
00:27:50,752 --> 00:27:53,421
I'VE BEEN WATCHING YOU
FOR MONTHS.

535
00:27:53,422 --> 00:27:57,717
I'VE HAD A COMPLETE REPORT
ON YOU-- YOUR BACKGROUND.

536
00:27:57,718 --> 00:28:00,094
DOES THAT SURPRISE YOU?

537
00:28:00,095 --> 00:28:02,388
FLATTERING, I GUESS.

538
00:28:02,389 --> 00:28:06,100
DIANE, WHAT I'M GOING TO SAY,
I DON'T WANT GENERAL KNOWLEDGE.

539
00:28:06,101 --> 00:28:09,270
BUT WHEN I WAS SCOUTING YOU,
I WAS LOOKING FOR SOMEONE--

540
00:28:09,271 --> 00:28:13,107
SOMEONE I CAN BUILD
INTO A KEY PERSONALITY.

541
00:28:13,108 --> 00:28:15,109
I KNOW THAT SOUNDS
A LITTLE VAGUE.

542
00:28:15,110 --> 00:28:16,611
I WON'T KNOW MUCH MORE
THAN THAT

543
00:28:16,612 --> 00:28:18,446
UNTIL AFTER MY NEXT
CHICAGO TRIP.

544
00:28:18,447 --> 00:28:21,240
I JUST WANTED YOU TO KNOW
YOU WEREN'T BROUGHT TO PORTLAND

545
00:28:21,241 --> 00:28:23,284
TO BE JUST ANOTHER FIGURE
ON THE PAYROLL.

546
00:28:23,285 --> 00:28:25,369
WE'LL TALK AGAIN.

547
00:28:25,370 --> 00:28:26,871
OKAY.

548
00:28:26,872 --> 00:28:29,208
YES, SIR.

549
00:28:55,734 --> 00:28:59,654
GUESS WE'RE GONNA BE AT EACH
OTHER'S THROATS FOR A WHILE.

550
00:28:59,655 --> 00:29:01,573
I SUPPOSE.

551
00:29:04,368 --> 00:29:05,869
<i>ON</i> THE TRACK, I MEAN.

552
00:29:20,884 --> 00:29:21,926
I THINK MOST OF THEM

553
00:29:21,927 --> 00:29:23,928
ARE GONNA BE GOING
TO THE KENTON CLUB.

554
00:29:23,929 --> 00:29:24,679
IT'S A BEER JOINT.

555
00:29:24,680 --> 00:29:25,846
WANNA GO THERE?

556
00:29:25,847 --> 00:29:27,348
UM...I DON'T KNOW.

557
00:29:27,349 --> 00:29:30,351
OR YOU COULD JUST GET SETTLED
IN AT MY PLACE.

558
00:29:30,352 --> 00:29:32,478
YEAH, YOUR PLACE SOUNDS GOOD.

559
00:29:32,479 --> 00:29:34,188
GOOD. I'M REALLY TIRED.

560
00:29:34,189 --> 00:29:35,399
I'M FOLDING.

561
00:29:37,943 --> 00:29:39,694
SAW YOU SKATING TONIGHT!

562
00:29:39,695 --> 00:29:40,861
THAT'S FAR OUT.

563
00:29:40,862 --> 00:29:43,698
YOU GUYS ARE LIKE
A COUPLE OF BULLETS.

564
00:29:43,699 --> 00:29:46,367
WHAT ABOUT SOME AUTOGRAPHS,
HUH?

565
00:29:46,368 --> 00:29:47,368
YEAH...OKAY.

566
00:29:47,369 --> 00:29:49,287
WE'RE JUST OUT FOR SOME FUN.

567
00:29:49,288 --> 00:29:52,373
I GOTTA TELL YOU,
YOU WERE REALLY GOOD.

568
00:29:52,374 --> 00:29:56,711
HOW ABOUT YOU
JOINING US, HUH?

569
00:29:56,712 --> 00:29:58,629
WELL,
WE GOT PLANS FOR TONIGHT.

570
00:29:58,630 --> 00:29:59,880
THAT'S A SHAME.

571
00:29:59,881 --> 00:30:00,881
THANKS.

572
00:30:00,882 --> 00:30:03,301
WHAT ARE YOU DOING NOW?

573
00:30:03,302 --> 00:30:05,219
WHY DON'T YOU JUST...

574
00:30:05,220 --> 00:30:05,970
COME ON.
HEY!

575
00:30:05,971 --> 00:30:07,388
WHAT ARE YOU DOING?!

576
00:30:07,389 --> 00:30:09,266
UGH!

577
00:30:11,977 --> 00:30:12,978
OW!

578
00:30:14,313 --> 00:30:15,313
OOH!

579
00:30:15,314 --> 00:30:16,481
UGH!

580
00:31:08,450 --> 00:31:09,950
THIS IT?

581
00:31:09,951 --> 00:31:12,496
YEP, HERE WE ARE, AT LAST.

582
00:31:18,877 --> 00:31:20,961
WELL, HERE IT IS.

583
00:31:20,962 --> 00:31:22,797
WHAT DO YOU THINK?

584
00:31:22,798 --> 00:31:24,298
YEAH, NICE.

585
00:31:24,299 --> 00:31:28,302
JUST TAKE YOUR COAT OFF
AND MAKE YOURSELF AT HOME.

586
00:31:28,303 --> 00:31:30,847
I'LL GET SOME BEERS, OKAY?

587
00:31:49,074 --> 00:31:51,325
HERE WE ARE.

588
00:31:56,581 --> 00:31:57,498
THANKS.

589
00:31:57,499 --> 00:31:58,624
CHEERS!

590
00:31:58,625 --> 00:31:59,625
MMM!

591
00:31:59,626 --> 00:32:02,336
OH, NO, WAIT, WAIT, WAIT.

592
00:32:02,337 --> 00:32:05,423
WE NEED A BETTER TOAST
THAN THAT.

593
00:32:05,424 --> 00:32:06,841
LET'S SEE.

594
00:32:06,842 --> 00:32:12,805
TO K.C. CARR, THE FUTURE QUEEN
OF THE PORTLAND LOGGERS.

595
00:32:12,806 --> 00:32:14,098
OKAY.

596
00:32:14,099 --> 00:32:16,350
IT'S A GOOD THING
JACKIE'S NOT HERE.

597
00:32:16,351 --> 00:32:18,519
SHE'D NEVER DRINK TO THAT.

598
00:32:18,520 --> 00:32:20,855
YEAH, SHE'S REALLY
A LITTLE, UH...

599
00:32:20,856 --> 00:32:22,857
WHAT'S HER--
WHAT'S HER PROBLEM?

600
00:32:22,858 --> 00:32:25,818
WELL, YOU FIGURE TO BE
THE TOP SKATER, RIGHT?

601
00:32:25,819 --> 00:32:26,527
WELL, NOW WAIT A MINUTE.

602
00:32:26,528 --> 00:32:27,695
I JUST GOT HERE.

603
00:32:27,696 --> 00:32:29,530
YOU'LL BE THE TOP SKATER.

604
00:32:29,531 --> 00:32:33,410
WELL, JACKIE'S BEEN THE TOP
SKATER FOR THE LAST SIX YEARS.

605
00:32:35,912 --> 00:32:38,372
YEAH.

606
00:32:38,373 --> 00:32:40,041
YEAH, I GET THE PICTURE.

607
00:32:42,127 --> 00:32:44,545
<i>...IT'S K.C. CARR
AND LOVEY SANFORD.</i>

608
00:32:44,546 --> 00:32:45,963
<i>K.C. CARR, NUMBER 11,</i>

609
00:32:45,964 --> 00:32:49,467
<i>LOVEY SANFORD FOR THE LOGGERS,
NUMBER 3.</i>

610
00:32:49,468 --> 00:32:51,635
<i>PULLING AT THE HAIR.</i>

611
00:32:51,636 --> 00:32:53,387
<i>DOWN GOES LOVEY.</i>

612
00:32:53,388 --> 00:32:54,388
<i>K.C. CARR NOW
FOR THE RENEGADES.</i>

613
00:32:54,389 --> 00:32:55,848
<i>SHE'S THE ONLY JAMMER,</i>

614
00:32:55,849 --> 00:32:59,393
<i>AND SHE'S THE ONLY ONE
THAT CAN PICK UP POINTS.</i>

615
00:32:59,394 --> 00:33:00,853
<i>THAT'S NUMBER 7,
JACKIE BURDETTE,</i>

616
00:33:00,854 --> 00:33:03,564
<i>GIRLS' CAPTAIN
OF THE PORTLAND LOGGERS.</i>

617
00:33:03,565 --> 00:33:07,526
<i>K.C., COMING UP, RUNS INTO THAT
BIG ELBOW OF JACKIE BURDETTE.</i>

618
00:33:07,527 --> 00:33:12,698
<i>JACKIE, WORKING HER OVER,
DOING THE JOB ON K.C.</i>

619
00:33:12,699 --> 00:33:16,410
<i>K.C. GONNA TRY IT
ONE MORE TIME.</i>

620
00:33:16,411 --> 00:33:17,411
<i>JACKIE READY...</i>

621
00:33:17,412 --> 00:33:20,080
<i>AND DOWN SHE GOES!
K.C.'S PICKING UP POINTS.</i>

622
00:33:20,081 --> 00:33:23,042
<i>AND NOW, YES,
IT'S LOVEY SANFORD AGAIN.</i>

623
00:33:23,043 --> 00:33:24,543
OH! OH! OH!

624
00:33:24,544 --> 00:33:26,921
<i>LOOKS LIKE SHE'S GOT K.C.
IN THAT ARMLOCK.</i>

625
00:33:26,922 --> 00:33:28,422
<i>GOT HER HEAD,
AND SHE'S WORKING ON THE FACE.</i>

626
00:33:28,423 --> 00:33:29,757
<i>LOOK AT THOSE...</i>

627
00:33:29,758 --> 00:33:31,425
AH! AH!

628
00:33:31,426 --> 00:33:33,177
<i>...SHE'S SCRAPPY.</i>

629
00:33:33,178 --> 00:33:34,720
<i>K.C.'S STILL TRYING TO GET BY.</i>

630
00:33:34,721 --> 00:33:37,014
<i>OVER THE RAIL
GOES LOVEY SANFORD,</i>

631
00:33:37,015 --> 00:33:38,933
<i>AND IT LOOKS LIKE K.C. CARR
HAS 2 POINTS.</i>

632
00:33:38,934 --> 00:33:41,602
<i>SHE WANTS TO PICK UP
THE REST OF THEM.</i>

633
00:33:41,603 --> 00:33:43,562
<i>COMING UP
TO THE REST OF THE PACK.</i>

634
00:33:43,563 --> 00:33:46,524
<i>LOOKS LIKE SHE'S GONNA GET
THE WHIP FROM SOWINSKI.</i>

635
00:33:46,525 --> 00:33:49,693
<i>AND SHE PICKS UP
5 BIG RENEGADE POINTS.</i>

636
00:33:49,694 --> 00:33:52,155
<i>5 POINTS FOR THE RENEGADES
BY K.C. CARR.</i>

637
00:33:53,949 --> 00:33:56,450
<i>THE RENEGADES HAVE TWO JAMMERS
OUT ON THIS ONE--</i>

638
00:33:56,451 --> 00:34:02,581
<i>NUMBER 32, GEORGIE ADAMS,
AND NUMBER 33, LEON JACKSON.</i>

639
00:34:02,582 --> 00:34:04,124
<i>DOWN GOES HORRIBLE HANK.</i>

640
00:34:04,125 --> 00:34:05,125
<i>LOGGERS GOING EVERYWHERE.</i>

641
00:34:05,126 --> 00:34:07,628
<i>RAINS KICKING EVERYBODY,
SLUGGING EVERYBODY.</i>

642
00:34:07,629 --> 00:34:10,631
<i>HE GOES OVER TO DICK WICKS
AND KICKS HIM!</i>

643
00:34:10,632 --> 00:34:12,091
<i>LOOK AT THIS RAINS GO.</i>

644
00:34:12,092 --> 00:34:13,968
<i>HE'S GOING CRAZY.</i>

645
00:34:13,969 --> 00:34:17,972
<i>LOOK AT THIS RAINS.</i>

646
00:34:17,973 --> 00:34:19,557
<i>HE IS AN ABSOLUTE MADMAN.</i>

647
00:34:19,558 --> 00:34:23,561
<i>HE SAYS, "I'M INNOCENT.
I DIDN'T DO A THING."</i>

648
00:34:23,562 --> 00:34:25,729
<i>RICHARD BROWN GETS A SWAT
FROM RONNIE RAINS.</i>

649
00:34:25,730 --> 00:34:27,815
ALL RIGHT!
KNOCK IT OFF.

650
00:34:27,816 --> 00:34:30,568
I DIDN'T DO ANYTHING.
I'M INNOCENT.

651
00:34:30,569 --> 00:34:31,736
HA HA HA HA!

652
00:34:33,572 --> 00:34:37,491
MIND YOUR OWN BUSINESS!

653
00:34:37,492 --> 00:34:38,909
GET OFF THE TRACK!

654
00:34:41,746 --> 00:34:44,498
<i>AND HERE HE GOES NOW,
OUT ON THIS JAM.</i>

655
00:34:44,499 --> 00:34:46,250
<i>OUT THERE WITH HIM IS NUMBER 8,</i>

656
00:34:46,251 --> 00:34:48,752
<i>RALPHIE VALLADEREZ,
FOR THE LOGGERS.</i>

657
00:34:48,753 --> 00:34:50,504
<i>IT'S A ONE-ON-ONE JAM.</i>

658
00:34:50,505 --> 00:34:53,216
<i>ANYBODY CAN PICK UP POINTS
ON THIS ONE.</i>

659
00:34:55,594 --> 00:34:58,679
<i>OH! OH!
OVER THE RAILS HE GOES!</i>

660
00:34:58,680 --> 00:35:01,015
<i>COMPLETELY OFF THE TRACK.</i>

661
00:35:01,016 --> 00:35:03,934
<i>RALPHIE SCORING SOME POINTS--
RALPHIE VALLADEREZ.</i>

662
00:35:03,935 --> 00:35:05,978
<i>RAINS KNOCKS OUT HIS OWN MAN.</i>

663
00:35:05,979 --> 00:35:08,147
<i>AND HERE COMES VALLADEREZ NOW.</i>

664
00:35:08,148 --> 00:35:10,024
<i>DOWN GOES RAINS.</i>

665
00:35:10,025 --> 00:35:11,692
<i>WHOA!</i>

666
00:35:11,693 --> 00:35:15,029
<i>VALLADEREZ IS MAD AT RAINS,
AND RIGHTFULLY SO.</i>

667
00:35:15,030 --> 00:35:17,698
<i>THIS RAINS
IS A TOTAL, CRAZY MANIAC.</i>

668
00:35:20,619 --> 00:35:22,620
KNOCK IT OFF!

669
00:35:22,621 --> 00:35:25,873
<i>REFEREE GETS BETWEEN THAT
ACTION, SAYS, "KNOCK THAT OFF."</i>

670
00:35:25,874 --> 00:35:28,208
MY WAY
OR YOU'RE OUT OF THE GAME.

671
00:35:28,209 --> 00:35:29,877
HEY!

672
00:35:29,878 --> 00:35:30,377
<i>NOW LOOK AT HIM.</i>

673
00:35:30,378 --> 00:35:32,212
<i>HE'S GOT BENCHES.</i>

674
00:35:32,213 --> 00:35:36,550
<i>HE'S TRYING TO STOP LITTLE
RICHARD BROWN, THE JAMMER.</i>

675
00:35:36,551 --> 00:35:37,718
<i>HE'S GOT CHAIRS, TABLES,
EVERYTHING.</i>

676
00:35:37,719 --> 00:35:39,303
<i>NOW HE'S GOT THE MEDICAL TABLE.</i>

677
00:35:39,304 --> 00:35:41,055
<i>RICHARD BROWN COMING UP...
WHOA!</i>

678
00:35:41,056 --> 00:35:43,891
<i>HE'S OVER THE MEDICAL TABLE.</i>

679
00:35:43,892 --> 00:35:48,187
<i>NOTHING CAN STOP
LITTLE RICHARD BROWN.</i>

680
00:35:48,188 --> 00:35:49,980
<i>RICHARD BROWN
PICKING UP POINTS.</i>

681
00:35:49,981 --> 00:35:52,691
<i>LOOK OUT!
HERE COMES THE TOOLBOX.</i>

682
00:35:52,692 --> 00:35:53,692
<i>OH! AND THAT MISSES
RICHARD BROWN,</i>

683
00:35:53,693 --> 00:35:55,152
<i>AND HE SCORES ANOTHER POINT.</i>

684
00:35:55,153 --> 00:35:57,237
<i>RONNIE RAINS
IS OUT OF THE GAME.</i>

685
00:35:57,238 --> 00:35:59,740
<i>THE REFEREE SAYS,
"WE'VE HAD IT WITH YOU."</i>

686
00:35:59,741 --> 00:36:02,868
<i>NOW HE'S WORKING OVER
LITTLE RICHARD BROWN AGAIN.</i>

687
00:36:02,869 --> 00:36:05,162
<i>RICHARD THROWS HIM
INTO THE PENALTY BOX,</i>

688
00:36:05,163 --> 00:36:06,872
<i>AND DOWN HE GOES.</i>

689
00:36:06,873 --> 00:36:08,749
<i>...FOR MR. RAINS.</i>

690
00:36:08,750 --> 00:36:12,753
<i>OUT OF THE GAME.</i>

691
00:36:12,754 --> 00:36:14,672
<i>NO! THE BUCKET ON THE HEAD!</i>

692
00:36:14,673 --> 00:36:18,134
<i>LITTLE RICHARD BROWN
LETS HIM HAVE A GOODBYE PUNCH!</i>

693
00:37:10,729 --> 00:37:12,230
HANK? HI.

694
00:37:14,858 --> 00:37:16,275
...COMES OVER HIS FACE...

695
00:37:16,276 --> 00:37:18,152
HEY, K.C.!

696
00:37:18,153 --> 00:37:20,739
COME ON OVER
AND HAVE A SEAT.

697
00:37:24,075 --> 00:37:25,826
HI, ROOMIE, HOW ARE YOU?

698
00:37:25,827 --> 00:37:26,785
SIT DOWN.

699
00:37:26,786 --> 00:37:27,912
HOW ARE YOU?

700
00:37:30,373 --> 00:37:32,833
WHAT ABOUT HANK?
HE NEEDS A DRINK, TOO.

701
00:37:32,834 --> 00:37:35,170
THEY DON'T SERVE BEER
IN TROUGHS.

702
00:37:36,880 --> 00:37:38,338
HE HEARD YOU!

703
00:37:38,339 --> 00:37:42,342
OH, SO WHAT?
NOTHING PENETRATES.

704
00:37:42,343 --> 00:37:44,845
HEY, HOG!

705
00:37:44,846 --> 00:37:47,181
WHY DON'T YOU TELL US
HOW YOUR OLD MAN

706
00:37:47,182 --> 00:37:50,267
USED TO CALL YOU IN
FROM THAT POTATO PATCH, HUH?

707
00:37:50,268 --> 00:37:52,186
COME ON!

708
00:37:52,187 --> 00:37:53,854
OINK! OINK!

709
00:37:53,855 --> 00:37:56,690
COME ON!

710
00:37:56,691 --> 00:37:59,693
COME ON, HANK.

711
00:37:59,694 --> 00:38:03,364
SOOEY!

712
00:38:08,787 --> 00:38:10,704
HEY, K.C.?

713
00:38:10,705 --> 00:38:12,790
HEY, K.C.,
WHAT'S THE MATTER?

714
00:38:12,791 --> 00:38:14,708
DON'T YOU THINK THAT'S FUNNY?

715
00:38:14,709 --> 00:38:16,960
NO, I DON'T THINK
THAT'S FUNNY.

716
00:38:16,961 --> 00:38:19,713
BUT YOU THINK
WE'RE PRETTY FUNNY, HUH?

717
00:38:19,714 --> 00:38:21,840
WHAT'S THAT SUPPOSED TO MEAN?

718
00:38:21,841 --> 00:38:22,549
COME ON, GIRLS.

719
00:38:22,550 --> 00:38:24,718
LET'S TAKE IT EASY,
OKAY?

720
00:38:24,719 --> 00:38:25,469
ALL RIGHT.

721
00:38:25,470 --> 00:38:28,722
WHY DON'T YOU ALL
SHUT UP?

722
00:38:48,952 --> 00:38:49,868
RIGHT?

723
00:38:49,869 --> 00:38:51,745
I MEAN, WE'RE TOPS.

724
00:38:51,746 --> 00:38:55,332
WE'RE THE BEST IN THE WEST,
AIN'T THAT RIGHT?

725
00:38:55,333 --> 00:38:57,751
RANDY, I DON'T DATE SKATERS.

726
00:38:57,752 --> 00:38:59,044
A SKATER?!

727
00:38:59,045 --> 00:39:01,088
I AIN'T NO SKATER.

728
00:39:01,089 --> 00:39:03,257
I AM A GODDAMN STAR!

729
00:39:03,258 --> 00:39:05,092
NOW, LOOK, K.C.

730
00:39:05,093 --> 00:39:07,928
JUST GIVE ME A TRY, OKAY?

731
00:39:07,929 --> 00:39:13,100
IF IT DON'T WORK OUT,
THERE AIN'T NO HARD FEELINGS.

732
00:39:13,101 --> 00:39:16,061
HEY!

733
00:39:16,062 --> 00:39:17,104
IF YOU DON'T CUT THAT OUT,

734
00:39:17,105 --> 00:39:19,773
I'M GONNA GIVE YOU SOMETHING
WHERE YOU CAN FEEL IT.

735
00:39:19,774 --> 00:39:20,941
DIANE CARR HERE?

736
00:39:20,942 --> 00:39:21,942
OH, THAT'S ME.

737
00:39:21,943 --> 00:39:23,110
TELEPHONE.

738
00:39:23,111 --> 00:39:24,821
JUST A MINUTE.

739
00:39:37,917 --> 00:39:42,880
HELLO?

740
00:39:42,881 --> 00:39:44,799
I'M BUSY, MR. HENRY.

741
00:39:49,012 --> 00:39:52,306
WELL, I JUST CAME DOWN HERE
TO RELAX A LITTLE.

742
00:39:52,307 --> 00:39:56,185
UM...I'VE GOT TO GET HOME
AND DO SOME STUFF.

743
00:40:02,025 --> 00:40:05,153
FINE...FINE.

744
00:40:19,417 --> 00:40:24,504
WELL...GETTING BACK
TO MORE IMPORTANT BUSINESS.

745
00:40:24,505 --> 00:40:27,841
GOT SOME THINGS TO TALK ABOUT.

746
00:40:27,842 --> 00:40:28,842
HUH?

747
00:40:28,843 --> 00:40:32,346
LOOK, RANDY,
I JUST DON'T DATE SKATERS.

748
00:40:32,347 --> 00:40:35,933
I HAVE TO WORK WITH THEM
EVERY NIGHT.

749
00:40:35,934 --> 00:40:39,186
SO, UH...WHY DON'T YOU
JUST BUZZ OFF?

750
00:40:39,187 --> 00:40:40,187
Okay?

751
00:40:40,188 --> 00:40:42,856
Sure.

752
00:40:42,857 --> 00:40:44,983
HEY, RANDY, YOU SCORE AGAIN?

753
00:40:44,984 --> 00:40:48,862
YOU BUNCH
OF FEMALE JOCKSTRAPPERS.

754
00:40:48,863 --> 00:40:50,447
HEY, I'M TELLING YOU WHAT.

755
00:40:50,448 --> 00:40:52,950
DON'T BE TALKING ABOUT ME
WHILE I'M GONE.

756
00:40:52,951 --> 00:40:55,035
OH, WE WOULDN'T
THINK OF IT.

757
00:40:55,036 --> 00:40:55,869
DID YOU HEAR
WHAT HAPPENED TO RANDY?

758
00:40:55,870 --> 00:40:56,203
HMM?

759
00:40:56,204 --> 00:40:57,371
NOTHING!

760
00:40:58,957 --> 00:41:02,043
JACKIE?

761
00:41:11,386 --> 00:41:17,391
HEY...JACKIE, ARE YOU OKAY?

762
00:41:17,392 --> 00:41:20,103
SHE WANTS TO KNOW IF I'M OKAY.

763
00:41:23,106 --> 00:41:26,149
WHAT DID YOU SAY?

764
00:41:26,150 --> 00:41:29,612
I SAID I'M OKAY,
I'M OKAY, AND, UH...

765
00:41:36,077 --> 00:41:37,912
...I'M OKAY
WHEN I'M NOT OKAY.

766
00:41:39,288 --> 00:41:41,958
OKAY? OKAY?

767
00:41:44,460 --> 00:41:46,086
OKAY?

768
00:41:46,087 --> 00:41:51,926
DOES THAT, UH, ANSWER YOUR
UNNECESSARY, UH, QUESTION?

769
00:41:58,141 --> 00:42:02,060
COME HERE.

770
00:42:02,061 --> 00:42:06,023
WHERE DO YOU COME FROM?

771
00:42:06,024 --> 00:42:08,233
WHERE THE HELL
DID YOU COME FROM?

772
00:42:08,234 --> 00:42:09,276
JACKIE,
LET'S GO FOR A WALK.

773
00:42:09,277 --> 00:42:11,111
COME ON.
LET'S GO FOR A WALK.

774
00:42:11,112 --> 00:42:13,113
HEY, HEY, HEY, HEY!

775
00:42:13,114 --> 00:42:14,281
HEY!

776
00:42:14,282 --> 00:42:16,034
COME ON.

777
00:42:18,119 --> 00:42:19,453
WELL, THAT'S TERRIFIC.

778
00:42:19,454 --> 00:42:23,458
COME ON, VINNIE, LET'S, UH,
GET YOU CLEANED UP, OKAY?

779
00:42:27,712 --> 00:42:29,713
<i>JACKIE BURDETTE OUT
ON THIS JAM FOR THE LOGGERS.</i>

780
00:42:29,714 --> 00:42:32,132
<i>LOOKS LIKE SHE'S PICKING UP
A FEW POINTS.</i>

781
00:42:32,133 --> 00:42:34,968
<i>SHE GETS AN ASSIST
IN THE MIDDLE OF THE PACK</i>

782
00:42:34,969 --> 00:42:36,053
<i>FROM YOKO SUZAKI.</i>

783
00:42:36,054 --> 00:42:38,638
<i>SCORES ANOTHER POINT.</i>

784
00:42:38,639 --> 00:42:40,974
<i>SHE WANTS
THOSE REMAINING POINTS.</i>

785
00:42:40,975 --> 00:42:43,143
<i>JACKIE BURDETTE--
SHE'S GOT 4...5.</i>

786
00:42:43,144 --> 00:42:44,644
<i>SHE'S GOT PLENTY OF TIME.</i>

787
00:42:44,645 --> 00:42:45,979
<i>LOOKS LIKE
SHE'S GONNA GO FOR MORE.</i>

788
00:42:45,980 --> 00:42:48,732
<i>THE WHIP
FROM LOVEY SANFORD...TOO HARD!</i>

789
00:42:48,733 --> 00:42:49,983
<i>ONTO THE RAIL.</i>

790
00:42:49,984 --> 00:42:51,068
<i>DOWN SHE GOES.</i>

791
00:42:51,069 --> 00:42:52,152
<i>THAT ENDS THE JAM.</i>

792
00:42:53,488 --> 00:42:55,739
<i>GETTING HELPED UP
FROM VIVIEN CARTWRIGHT,</i>

793
00:42:55,740 --> 00:42:57,407
<i>THEIR GENERAL MANAGER.</i>

794
00:42:57,408 --> 00:42:59,326
<i>AND JACKIE BURDETTE
IS A LITTLE UPSET</i>

795
00:42:59,327 --> 00:43:00,577
<i>AT LOVEY SANFORD.</i>

796
00:43:00,578 --> 00:43:04,164
<i>SAID,
"WHAT DID YOU DO THAT FOR?"</i>

797
00:43:04,165 --> 00:43:05,999
<i>LOVEY SAYS,
"WELL, IT'S NOT MY FAULT.</i>

798
00:43:06,000 --> 00:43:08,585
<i>I DIDN'T MEAN TO DO IT,
YOU KNOW."</i>

799
00:43:08,586 --> 00:43:10,128
<i>JACKIE BURDETTE
OUT ON THIS JAM,</i>

800
00:43:10,129 --> 00:43:11,463
<i>COMING THROUGH THE REAR
OF THE PACK.</i>

801
00:43:11,464 --> 00:43:13,298
<i>AND THAT'S JUDY SOWINSKI
ON THE DEFENSE.</i>

802
00:43:13,299 --> 00:43:17,010
<i>BURDETTE, CLIMBING ALL OVER,
BUT SHE CAN'T GET BY.</i>

803
00:43:17,011 --> 00:43:18,678
<i>SOWINSKI HOLDING HER BACK.</i>

804
00:43:18,679 --> 00:43:20,013
<i>WHOA!</i>

805
00:43:20,014 --> 00:43:21,181
<i>WHIPPED INTO THE RAIL,</i>

806
00:43:21,182 --> 00:43:24,351
<i>AND DOWN GOES SOWINSKI.</i>

807
00:43:24,352 --> 00:43:27,020
<i>AND HERE'S K.C. CARR NOW.</i>

808
00:43:27,021 --> 00:43:30,023
<i>K.C. CARR IN FOR THE BLOCKING.</i>

809
00:43:30,024 --> 00:43:31,691
<i>BURDETTE CAN'T GO ANYWHERE
AGAINST CARR.</i>

810
00:43:31,692 --> 00:43:33,026
COME ON!

811
00:43:33,027 --> 00:43:35,028
<i>BURDETTE SCOOTING BY.</i>

812
00:43:35,029 --> 00:43:38,115
<i>SHE'S GOT TO COME UP
AGAINST CARR.</i>

813
00:43:38,116 --> 00:43:39,032
<i>WHOA!</i>

814
00:43:39,033 --> 00:43:40,492
<i>K.C. CARR MISSES THAT BLOCK.</i>

815
00:43:40,493 --> 00:43:45,038
<i>IT'S ANOTHER 5 POINTS
FOR JACKIE BURDETTE.</i>

816
00:43:45,039 --> 00:43:46,790
<i>K.C. CARR
DISGUSTED WITH HERSELF</i>

817
00:43:46,791 --> 00:43:48,793
<i>AFTER MISSING THAT BLOCK.</i>

818
00:43:50,628 --> 00:43:52,170
<i>FANS GOING WILD.</i>

819
00:43:52,171 --> 00:43:54,506
<i>OH, LOOK AT THIS ACTION--</i>

820
00:43:54,507 --> 00:43:57,134
<i>THE 7-11 COMBINATION,
BURDETTE AND CARR.</i>

821
00:43:57,135 --> 00:43:59,052
<i>LOT OF HEAT
BETWEEN THESE TWO GIRLS.</i>

822
00:43:59,053 --> 00:44:00,053
<i>THEY DON'T LIKE ONE ANOTHER.</i>

823
00:44:01,389 --> 00:44:03,557
<i>THAT'S THE END OF THE SECOND
SKATING PERIOD OF PLAY,</i>

824
00:44:03,558 --> 00:44:08,728
<i>AND THE MEN TAKE THE TRACK NOW
FOR THE FINAL PERIOD.</i>

825
00:44:08,729 --> 00:44:12,732
I DON'T NEED ANY HELP
OUT THERE-- NOT FROM YOU!

826
00:44:12,733 --> 00:44:13,692
I WASN'T HELPING.

827
00:44:13,693 --> 00:44:17,070
I MISSED THE BLOCK.

828
00:44:17,071 --> 00:44:20,157
<i>...EVERY SUNDAY NIGHT
AT 4:00 P.M.,</i>

829
00:44:20,158 --> 00:44:22,493
<i>RIGHT HERE IN PORTLAND, OREGON.</i>

830
00:44:25,913 --> 00:44:28,415
UH, K.C., MR. HENRY
WANTS TO SEE YOU IN HIS OFFICE.

831
00:44:28,416 --> 00:44:30,167
CAN'T I EVEN SHOWER FIRST?

832
00:44:30,168 --> 00:44:31,585
I'LL SEE YOU LATER.

833
00:44:31,586 --> 00:44:32,752
HERE, LOVEY.

834
00:44:32,753 --> 00:44:35,172
YOU LOOKED VERY GOOD
OUT THERE TONIGHT.

835
00:44:35,173 --> 00:44:36,632
THANKS.

836
00:44:51,189 --> 00:44:52,190
COME IN.

837
00:44:55,276 --> 00:44:56,067
WHOO!

838
00:44:56,068 --> 00:44:57,777
YOU'LL BE SKATING
WITH THE LOGGERS

839
00:44:57,778 --> 00:44:59,237
STARTING TOMORROW NIGHT.

840
00:44:59,238 --> 00:45:02,282
OH, GREAT!

841
00:45:02,283 --> 00:45:03,116
THAT FIGHTING ON THE TRACK

842
00:45:03,117 --> 00:45:05,285
IS REALLY MESSING UP
MY SOCIAL LIFE.

843
00:45:05,286 --> 00:45:07,245
I'VE HEARD
ABOUT JACKIE'S TROUBLE.

844
00:45:07,246 --> 00:45:09,206
I HAD THE IMPRESSION YOU WERE
GIVING HER A LITTLE HELP THERE

845
00:45:09,207 --> 00:45:10,207
THIS AFTERNOON.

846
00:45:10,208 --> 00:45:12,417
NO, I--
I JUST MISSED A BLOCK.

847
00:45:12,418 --> 00:45:14,127
THAT'S QUITE ALL RIGHT.

848
00:45:14,128 --> 00:45:17,631
I LIKE THAT KIND OF LOYALTY
FROM MY SKATERS.

849
00:45:17,632 --> 00:45:19,758
YEAH, I KNOW YOU DO.

850
00:45:19,759 --> 00:45:23,303
SO, HOW ARE YOU?

851
00:45:23,304 --> 00:45:23,762
FINE.

852
00:45:23,763 --> 00:45:25,138
YOU READY?

853
00:45:25,139 --> 00:45:26,139
FOR WHAT?

854
00:45:26,140 --> 00:45:27,307
TONIGHT.

855
00:45:27,308 --> 00:45:29,893
SUNDAY NIGHT--
I HAVE A DINNER DATE.

856
00:45:29,894 --> 00:45:32,479
I'M PICKING YOU UP
FOR DINNER AT 8:00.

857
00:45:32,480 --> 00:45:33,647
OKAY.

858
00:45:33,648 --> 00:45:35,315
WHERE ARE YOU LIVING?

859
00:45:35,316 --> 00:45:37,442
OH, I LIVE WITH LOVEY SANFORD.

860
00:45:37,443 --> 00:45:38,818
SHE HAS A HOUSEBOAT.

861
00:45:38,819 --> 00:45:40,779
OH, UH, YEAH, THAT'S RIGHT.

862
00:45:40,780 --> 00:45:43,156
DO YOU MIND IF I PICK YOU UP
AT THE TOP OF THE GANGWAY?

863
00:45:43,157 --> 00:45:44,449
IT'LL SAVE TIME.

864
00:45:44,450 --> 00:45:45,534
YEAH, SURE.

865
00:45:55,378 --> 00:45:57,170
THIS IS REALLY A NICE PLACE.

866
00:45:57,171 --> 00:45:59,339
YOU KNOW WHAT I
REALLY LIKE ABOUT YOU?

867
00:45:59,340 --> 00:46:01,424
THE WAY YOU ENJOY EVERYTHING.

868
00:46:01,425 --> 00:46:02,759
YOUR STEAK, FOR EXAMPLE.

869
00:46:02,760 --> 00:46:03,760
OH.

870
00:46:03,761 --> 00:46:04,761
WHEN I WAS A KID,

871
00:46:04,762 --> 00:46:08,181
I ALWAYS FELT GUILTY
UNLESS I CLEANED MY PLATE.

872
00:46:08,182 --> 00:46:09,599
WHO WAS THAT, YOUR FATHER?

873
00:46:09,600 --> 00:46:13,645
ALWAYS MY MOM.

874
00:46:13,646 --> 00:46:15,689
AS FAR AS I'M CONCERNED,
YOU CAN'T DO ANY WRONG.

875
00:46:15,690 --> 00:46:17,357
I DON'T SEE
HOW YOUR HUSBAND EVER,

876
00:46:17,358 --> 00:46:19,484
WELL...
HOW'D HE LET YOU GET AWAY?

877
00:46:19,485 --> 00:46:22,195
YOU'RE NOT STILL INVOLVED
WITH HIM, ARE YOU?

878
00:46:22,196 --> 00:46:24,281
NO, THAT WAS A LONG TIME AGO.

879
00:46:24,282 --> 00:46:26,700
DON'T SEE HIM ANYMORE?

880
00:46:26,701 --> 00:46:28,368
HE'S MARRIED AGAIN.

881
00:46:28,369 --> 00:46:30,370
WE DON'T SEE HIM ANYMORE.

882
00:46:30,371 --> 00:46:31,371
"WE"?

883
00:46:31,372 --> 00:46:34,457
YEAH, MY KIDS AND I.

884
00:46:34,458 --> 00:46:37,795
HEY, YOU DIDN'T FINISH
YOUR STEAK.

885
00:46:39,463 --> 00:46:43,550
UM...WELL, IF YOU DON'T MIND,
I MEAN, AFTER I'M FINISHED...

886
00:46:43,551 --> 00:46:47,554
JUST SO IT WON'T GO TO WASTE.

887
00:46:47,555 --> 00:46:49,514
WELL, OF COURSE.

888
00:46:49,515 --> 00:46:53,436
ANYTHING YOU DESIRE.

889
00:47:16,959 --> 00:47:18,336
WOW!

890
00:47:28,304 --> 00:47:31,515
THIS IS FANTASTIC!

891
00:48:05,674 --> 00:48:09,345
I HOPE YOU DON'T THINK
I INTENDED FOR THIS TO HAPPEN.

892
00:48:10,638 --> 00:48:12,305
DIDN'T YOU?

893
00:48:12,306 --> 00:48:13,349
YES.

894
00:48:54,515 --> 00:48:56,766
HI!

895
00:48:56,767 --> 00:48:59,477
UH...HELLO, LOVEY.

896
00:48:59,478 --> 00:49:02,021
UM...I-- I GUESS
I'LL SEE YOU ALL LATER.

897
00:49:02,022 --> 00:49:03,566
UH...BYE.

898
00:49:10,948 --> 00:49:13,032
WHY ARE YOU LIVING WITH HER?

899
00:49:13,033 --> 00:49:16,035
I JUST HAVEN'T HAD TIME
TO FIND MY OWN PLACE.

900
00:49:16,036 --> 00:49:20,039
SHE'S NOT SUCH A BAD KID.

901
00:49:20,040 --> 00:49:23,752
YOU SHOULD HAVE
A PLACE OF YOUR OWN.

902
00:49:56,494 --> 00:49:58,536
HELLO?

903
00:49:58,537 --> 00:50:01,664
OH, YEAH, HI, VIV.

904
00:50:01,665 --> 00:50:04,584
WHAT?

905
00:50:04,585 --> 00:50:05,835
YOU GOT TO BE--

906
00:50:05,836 --> 00:50:07,630
H-HE CAN'T...

907
00:50:11,008 --> 00:50:14,428
OH, YEAH.

908
00:50:23,521 --> 00:50:24,480
LOVEY?

909
00:50:33,781 --> 00:50:36,199
LOVEY, WHAT'S THE MATTER?

910
00:50:36,200 --> 00:50:38,952
I'VE BEEN TRADED.

911
00:50:38,953 --> 00:50:40,620
I'VE BEEN TRADED TO DENVER,

912
00:50:40,621 --> 00:50:42,080
AND I GOT TO BE THERE
DAY AFTER TOMORROW,

913
00:50:42,081 --> 00:50:43,623
READY TO SKATE.

914
00:50:43,624 --> 00:50:45,625
WHAT?

915
00:50:45,626 --> 00:50:47,628
BURT HENRY TRADED ME!

916
00:50:49,630 --> 00:50:53,800
JUST A MINUTE.
I'LL TALK TO HIM.

917
00:50:53,801 --> 00:50:57,888
WELL, MAYBE YOU <i>ALREADY</i>
TALKED TO HIM!

918
00:51:03,185 --> 00:51:04,687
LOVEY?

919
00:51:19,827 --> 00:51:21,704
OH...

920
00:51:32,214 --> 00:51:33,506
HELLO?

921
00:51:33,507 --> 00:51:37,094
UH, K.C. FOR BURT HENRY.

922
00:51:42,224 --> 00:51:44,184
WHAT?

923
00:51:47,730 --> 00:51:50,107
WHERE?

924
00:51:53,777 --> 00:51:56,863
NO, NO, THAT'S OKAY.

925
00:51:56,864 --> 00:51:59,033
NEVER MIND.

926
00:52:21,221 --> 00:52:23,973
WANT SOME LICORICE?

927
00:52:23,974 --> 00:52:26,226
NO THANKS.

928
00:52:33,817 --> 00:52:37,738
YOU KNOW, I WAS SURE SORRY
ABOUT LOVEY GETTING TRADED.

929
00:52:38,947 --> 00:52:41,074
SHE WAS A GOOD FRIEND.

930
00:52:41,075 --> 00:52:44,911
SHE ALWAYS TALKED TO ME.

931
00:52:44,912 --> 00:52:47,747
SURE HOPE
I NEVER DO GET TRADED.

932
00:52:47,748 --> 00:52:50,583
GET TRADED, YOU HAVE TO
START OVER MAKING FRIENDS.

933
00:52:50,584 --> 00:52:54,712
THAT'S A HARD THING TO DO.

934
00:52:54,713 --> 00:52:57,590
WELL, YOU GOT MORE FRIENDS
THAN YOU THINK YOU DO, HANK.

935
00:52:57,591 --> 00:53:01,010
OH, NO, I CAN ALWAYS TELL
WHO MY FRIENDS ARE.

936
00:53:01,011 --> 00:53:04,764
NOW, MR. HENRY IS MY FRIEND.

937
00:53:04,765 --> 00:53:08,685
HE TOLD ME THAT I GOTTA...

938
00:53:08,686 --> 00:53:09,602
WELL, WHAT HE TOLD ME

939
00:53:09,603 --> 00:53:12,605
WAS THAT I GOTTA HAVE
MORE COLOR, YOU KNOW?

940
00:53:12,606 --> 00:53:15,775
I MEAN, LIKE, WHEN PEOPLE HOLLER
"PIG" AND "SOOEY" AT ME,

941
00:53:15,776 --> 00:53:19,612
WELL, THEN I GOTTA DO SOMETHING
TO MAKE EVERYBODY MAD.

942
00:53:19,613 --> 00:53:23,950
I DON'T WANT TO MAKE THEM
<i>TOO</i> MAD, THOUGH.

943
00:53:23,951 --> 00:53:29,288
NO, I WOULDN'T DO A THING
LIKE THAT, HANK.

944
00:53:29,289 --> 00:53:32,291
HEY, YOU REMEMBER WHEN
YOU CHASED ME WITH THAT MOP,

945
00:53:32,292 --> 00:53:33,793
AND I TOOK IT AWAY FROM YOU?

946
00:53:33,794 --> 00:53:36,629
HA HA! YEAH.

947
00:53:36,630 --> 00:53:38,340
THAT WAS FUN.

948
00:53:41,218 --> 00:53:45,304
K.C.?

949
00:53:45,305 --> 00:53:46,764
WOULD YOU LIKE TO GO
TO THE MOVIE WITH ME

950
00:53:46,765 --> 00:53:50,643
AFTER THE GAME TONIGHT?

951
00:53:50,644 --> 00:53:52,311
WELL, I DON'T KNOW.

952
00:53:52,312 --> 00:53:53,856
WE'LL SEE.

953
00:54:02,197 --> 00:54:03,990
<i>AND THE SECOND HALF BEGINS</i>

954
00:54:03,991 --> 00:54:05,783
<i>WITH THE GIRLS GOING UNDERWAY.</i>

955
00:54:05,784 --> 00:54:06,826
<i>HEADING OUT FOR THE LOGGERS,</i>

956
00:54:06,827 --> 00:54:08,995
<i>IT'S NUMBER 7, JACKIE BURDETTE,
THE CAPTAIN,</i>

957
00:54:08,996 --> 00:54:11,664
<i>AND NUMBER 11, K.C. CARR.</i>

958
00:54:11,665 --> 00:54:15,001
<i>A TWO-ON-ONE JAM SITUATION.</i>

959
00:54:15,002 --> 00:54:17,670
<i>NOW IT'S K.C. CARR
AND JACKIE BURDETTE, 11 AND 7,</i>

960
00:54:17,671 --> 00:54:18,838
<i>FOR THE PORTLAND LOGGERS.</i>

961
00:54:18,839 --> 00:54:21,007
<i>A 10-POINT SCORING POTENTIAL,
BUT WAIT A MINUTE.</i>

962
00:54:21,008 --> 00:54:22,341
<i>THEY'RE BOTH
GOING ON EACH OTHER.</i>

963
00:54:22,342 --> 00:54:23,468
<i>BURDETTE'S GOT CARR
BY THE HEAD.</i>

964
00:54:23,469 --> 00:54:27,680
<i>I'VE NEVER SEEN
ANYTHING LIKE THIS BEFORE.</i>

965
00:54:27,681 --> 00:54:31,017
<i>CARR AND BURDETTE
GOING BACK AND FORTH.</i>

966
00:54:31,018 --> 00:54:32,351
<i>THEY'RE STILL GOING
AT EACH OTHER.</i>

967
00:54:32,352 --> 00:54:33,936
<i>NOW CARR'S GOT BURDETTE
BY THE HEAD.</i>

968
00:54:33,937 --> 00:54:35,688
<i>AGAIN THEY GO.</i>

969
00:54:35,689 --> 00:54:41,027
<i>BURDETTE'S GOT CARR BY THE HEAD
AND SENDS CARR DOWN.</i>

970
00:54:41,028 --> 00:54:43,821
OOH, THEY'RE GOING AT IT
WITH EACH OTHER AGAIN.

971
00:54:43,822 --> 00:54:44,822
<i>JACKIE BURDETTE,</i>

972
00:54:44,823 --> 00:54:46,866
<i>THE ONLY JAMMER
WHO CAN SCORE POINTS NOW.</i>

973
00:54:46,867 --> 00:54:51,829
<i>K.C. CARR TRYING TO ASSIST HER.</i>

974
00:54:51,830 --> 00:54:53,706
<i>WHAT ARE THESE TWO GIRLS UP TO?</i>

975
00:54:53,707 --> 00:54:55,875
<i>JACKIE BURDETTE NOW TRYING
TO SCORE ON HER OWN.</i>

976
00:54:55,876 --> 00:54:59,003
<i>SHE'S GOT 1 POINT...
2...3...4...5</i>

977
00:54:59,004 --> 00:55:00,798
<i>FOR A FULL GRAND SLAM.</i>

978
00:55:05,761 --> 00:55:07,053
<i>WELL, IT'S HALFTIME.</i>

979
00:55:07,054 --> 00:55:08,721
<i>DON'T FORGET,
ALL YOU BAKERSFIELD FANS,</i>

980
00:55:08,722 --> 00:55:10,056
<i>THREE WEEKS FROM TONIGHT,</i>

981
00:55:10,057 --> 00:55:11,974
<i>THE PORTLAND LOGGERS
WILL BE RIGHT BACK HERE,</i>

982
00:55:11,975 --> 00:55:13,976
<i>SKATING AGAINST THE DENVER BUCKAROOS.</i>

983
00:55:13,977 --> 00:55:15,728
<i>ALL YOUR FAVORITE STARS
WILL BE HERE--</i>

984
00:55:15,729 --> 00:55:18,231
<i>JACKIE BURDETTE, HANK HOPKINS,
AND K.C. CARR.</i>

985
00:55:18,232 --> 00:55:21,192
<i>TICKETS ARE ON SALE RIGHT NOW
OUT AT THE TICKET OFFICE.</i>

986
00:55:21,193 --> 00:55:22,902
<i>ALSO, DON'T FORGET
TO PICK UP YOUR COPY</i>

987
00:55:22,903 --> 00:55:26,072
<i>OF THE</i> ROLLER GAME ROUNDUP,
<i>WITH LUCKY NUMBERS.</i>

988
00:55:26,073 --> 00:55:29,075
<i>WE'LL BE CALLING FOUR,
AND IF YOU HOLD ONE,</i>

989
00:55:29,076 --> 00:55:31,995
<i>YOU'LL WIN TWO FREE TICKETS
TO THE NEXT GAME...</i>

990
00:55:38,418 --> 00:55:39,710
<i>THERE'S HORRIBLE HANK!</i>

991
00:55:39,711 --> 00:55:42,755
<i>HE'S PICKED UP 5 POINTS, BUT
THE CROWD DOESN'T LIKE THAT.</i>

992
00:55:42,756 --> 00:55:44,215
<i>LISTEN TO THAT "SOOEY."</i>

993
00:55:44,216 --> 00:55:45,842
<i>HE DOESN'T LIKE THAT AT ALL.</i>

994
00:55:45,843 --> 00:55:47,385
<i>HE PUTS HIS HANDS
OVER HIS EARS,</i>

995
00:55:47,386 --> 00:55:49,262
<i>BUT THE CROWD
KEEPS YELLING "SOOEY."</i>

996
00:55:49,263 --> 00:55:50,763
<i>BOY, HE HATES THAT.</i>

997
00:55:50,764 --> 00:55:53,850
<i>HORRIBLE HANK--
HE THROWS HIS HELMET DOWN.</i>

998
00:55:53,851 --> 00:55:55,351
SOOEY!

999
00:55:55,352 --> 00:55:57,770
<i>HE DOESN'T LIKE THAT AT ALL.</i>

1000
00:55:57,771 --> 00:55:59,815
<i>LISTEN TO THAT "SOOEY."</i>

1001
00:56:04,361 --> 00:56:06,779
<i>...AND THE PORTLAND LOGGERS
PICKING UP 5 MORE POINTS,</i>

1002
00:56:06,780 --> 00:56:08,197
<i>MAKING THE SCORE 75
FOR THE LOGGERS,</i>

1003
00:56:08,198 --> 00:56:09,782
<i>63 FOR THE ROADRUNNERS.</i>

1004
00:56:09,783 --> 00:56:12,118
<i>THERE STILL SEEMS TO BE TIME
FOR THESE LOGGERS.</i>

1005
00:56:12,119 --> 00:56:14,287
<i>NOW OUT ON THE JAM
IS K.C. CARR,</i>

1006
00:56:14,288 --> 00:56:16,038
<i>AND NUMBER 7, JACKIE BURDETTE.</i>

1007
00:56:16,039 --> 00:56:17,874
<i>CARR AND BURDETTE,
ON THE JAM AGAIN.</i>

1008
00:56:17,875 --> 00:56:19,125
<i>NOW BURDETTE...</i>

1009
00:56:19,126 --> 00:56:21,460
<i>OUT ON THE RAIL.</i>

1010
00:56:21,461 --> 00:56:23,963
<i>K.C. CARR IS LEAVING BURDETTE
AT THE RAIL.</i>

1011
00:56:23,964 --> 00:56:25,381
<i>SHE'S AT THE BACK OF THE PACK.</i>

1012
00:56:25,382 --> 00:56:26,465
<i>SHE'S TRYING TO GET BY.</i>

1013
00:56:26,466 --> 00:56:29,468
<i>SHE GOES UNDER THE LEG!</i>

1014
00:56:29,469 --> 00:56:31,137
<i>SHE'S GOT 4 POINTS.</i>

1015
00:56:31,138 --> 00:56:34,473
<i>SHE'S TRYING TO MAKE IT
A FULL 5 FOR A GRAND SLAM.</i>

1016
00:56:34,474 --> 00:56:36,267
<i>GETS A WHIP.</i>

1017
00:56:36,268 --> 00:56:38,102
<i>ANOTHER 15 SECONDS REMAINING.</i>

1018
00:56:38,103 --> 00:56:40,313
<i>TRYING TO GET BY GOMEZ.</i>

1019
00:56:40,314 --> 00:56:42,106
<i>SHE SIDESTEPS GOMEZ!</i>

1020
00:56:42,107 --> 00:56:43,816
<i>PICKING UP 5 MORE POINTS.</i>

1021
00:56:43,817 --> 00:56:45,401
<i>K.C. LOOKS TIRED.</i>

1022
00:56:45,402 --> 00:56:46,569
<i>UH-OH, LOOK OUT.</i>

1023
00:56:46,570 --> 00:56:48,821
<i>HERE COMES BURDETTE!</i>

1024
00:56:48,822 --> 00:56:52,241
<i>...SEND HER OVER THE RAIL.</i>

1025
00:56:52,242 --> 00:56:53,994
CUT IT OUT!

1026
00:57:05,005 --> 00:57:06,172
GET OVER THERE!

1027
00:57:06,173 --> 00:57:07,340
HURRY UP!

1028
00:57:07,341 --> 00:57:08,674
<i>...DOESN'T KNOW
WHAT'S GOING ON.</i>

1029
00:57:08,675 --> 00:57:11,093
<i>THEY PROBABLY CAN'T DO A THING
WITH THESE GIRLS ANYMORE.</i>

1030
00:57:11,094 --> 00:57:12,511
IS HE ALWAYS THAT WAY?

1031
00:57:12,512 --> 00:57:14,347
YES, HE IS ALWAYS THAT WAY.

1032
00:57:14,348 --> 00:57:15,598
YOU NEVER TOLD ME--

1033
00:57:15,599 --> 00:57:17,433
WHAT DO YOU MEAN,
I NEVER TOLD YOU?

1034
00:57:17,434 --> 00:57:19,018
I'VE BEEN
WRITING AND CALLING.

1035
00:57:19,019 --> 00:57:20,519
YOU COULD HAVE SAID
SOMETHING.

1036
00:57:20,520 --> 00:57:22,855
I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.

1037
00:57:22,856 --> 00:57:24,607
YOU NEVER LISTEN
TO ANYTHING I SAY.

1038
00:57:24,608 --> 00:57:26,317
THEY WANT THEIR MOTHER BACK.

1039
00:57:26,318 --> 00:57:29,028
YOU CAN UNDERSTAND <i>THAT,</i>
CAN'T YOU?

1040
00:57:29,029 --> 00:57:30,029
YEAH.

1041
00:57:30,030 --> 00:57:31,989
I REALIZE THAT, MOM.

1042
00:57:31,990 --> 00:57:34,200
DUTIES OF A MOTHER COME FIRST.

1043
00:57:34,201 --> 00:57:36,869
I DON'T EXPECT TO BE A SKATER
ALL MY LIFE.

1044
00:57:36,870 --> 00:57:39,956
THEY NEED YOU HERE!

1045
00:57:39,957 --> 00:57:42,208
DON'T YOU THINK I KNOW THAT?

1046
00:57:42,209 --> 00:57:45,461
DON'T YOU THINK
I WANT TO BE WITH THEM?

1047
00:57:45,462 --> 00:57:49,215
WELL...WELL, YOU CAN.

1048
00:57:49,216 --> 00:57:51,217
I RAN INTO MR. MALLORY
THE OTHER DAY,

1049
00:57:51,218 --> 00:57:52,218
AND YOU KNOW
WHAT HE SAID TO ME?

1050
00:57:52,219 --> 00:57:54,971
HE SAID, "SHE CAN HAVE HER JOB
BACK AT THE STORE

1051
00:57:54,972 --> 00:57:56,138
ANYTIME SHE WANTS IT."

1052
00:57:56,139 --> 00:57:57,890
WELL,
THAT'S JUST GREAT, MOM--

1053
00:57:57,891 --> 00:57:58,891
A CUSPIDOR IN EVERY ROOM.

1054
00:57:58,892 --> 00:58:01,060
FOR CHRIST'S SAKE--

1055
00:58:01,061 --> 00:58:03,896
DON'T USE THAT KIND OF LANGUAGE
IN THIS HOUSE.

1056
00:58:03,897 --> 00:58:06,400
HOW MANY WAYS DO YOU KEEP
HAVING TO SAY IT?

1057
00:58:09,236 --> 00:58:11,571
YOU NEVER
USED TO TALK LIKE THAT.

1058
00:58:16,159 --> 00:58:18,244
IT'S EASY TO SEE
WHERE YOU PICKED IT UP.

1059
00:58:18,245 --> 00:58:19,412
MOM, I WAS DYING HERE.

1060
00:58:19,413 --> 00:58:21,914
WE ALL WERE.
YOU KNOW THAT.

1061
00:58:21,915 --> 00:58:24,250
OKAY, SO HOW MUCH BETTER
YOU DOING, HUH,

1062
00:58:24,251 --> 00:58:26,544
TRAIPSING
ALL OVER THE COUNTRY?

1063
00:58:26,545 --> 00:58:27,920
IT WON'T BE FOREVER.

1064
00:58:27,921 --> 00:58:31,924
WELL,
WHY DON'T YOU COME BACK HERE?

1065
00:58:31,925 --> 00:58:33,926
MR. MALLORY WANTS TO MARRY YOU.

1066
00:58:33,927 --> 00:58:36,012
YOU KNOW, THERE'S A DOZEN GIRLS
IN THIS TOWN

1067
00:58:36,013 --> 00:58:38,014
THAT WOULD JUMP AT THE CHANCE.

1068
00:58:38,015 --> 00:58:41,017
OH, YOU'RE CHOOSY?

1069
00:58:41,018 --> 00:58:42,393
YEAH, GODDAMN RIGHT,
I'M CHOOSY!

1070
00:58:42,394 --> 00:58:43,602
YOU'RE IN NO POSITION
TO BE CHOOSY!

1071
00:58:43,603 --> 00:58:45,938
MOM, THE DREAMS ARE OVER.

1072
00:58:45,939 --> 00:58:47,565
DON'T YOU UNDERSTAND--

1073
00:58:47,566 --> 00:58:49,025
I THINK IT'S ALL
A BUNCH OF RIDDLES.

1074
00:58:49,026 --> 00:58:51,027
I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.

1075
00:58:51,028 --> 00:58:52,278
YOU JUST DON'T LISTEN, MOM.

1076
00:58:52,279 --> 00:58:53,112
IT'S NOT RIDDLES.

1077
00:58:53,113 --> 00:58:55,614
I JUST WANT
A LITTLE PIECE OF THE ACTION

1078
00:58:55,615 --> 00:58:56,949
SO THAT I DON'T
HAVE TO APOLOGIZE

1079
00:58:56,950 --> 00:58:58,451
EVERY TIME I TURN AROUND.

1080
00:58:58,452 --> 00:58:59,452
THAT'S ALL.

1081
00:58:59,453 --> 00:59:02,955
COME ON!

1082
00:59:02,956 --> 00:59:05,458
I JUST THINK YOU OUGHT TO TAKE
A GOOD LOOK

1083
00:59:05,459 --> 00:59:06,959
AT WHAT'S RIGHT
UNDER YOUR NOSE,

1084
00:59:06,960 --> 00:59:08,127
AT WHAT'S REALLY IMPORTANT.

1085
00:59:08,128 --> 00:59:10,047
SEE?

1086
00:59:24,144 --> 00:59:29,524
MAMA...
I LOVE YOU AND THE KIDS.

1087
00:59:30,358 --> 00:59:31,984
YEAH.

1088
00:59:31,985 --> 00:59:33,986
HMM!

1089
00:59:33,987 --> 00:59:35,571
WELL, I DON'T KNOW
WHAT THAT'S GOT TO DO

1090
00:59:35,572 --> 00:59:39,992
WITH THE PRICE OF TEA.

1091
00:59:42,412 --> 00:59:46,208
YOU OUGHT TO HAVE
YOUR HEAD EXAMINED!

1092
01:00:00,388 --> 01:00:02,057
THANKS.

1093
01:00:06,103 --> 01:00:07,353
UH...COULD YOU WAIT A MINUTE
RIGHT HERE FOR ME?

1094
01:00:07,354 --> 01:00:09,522
I JUST HAVE TO
PICK SOMETHING UP.

1095
01:00:09,523 --> 01:00:12,691
DIANE!

1096
01:00:12,692 --> 01:00:14,485
WHERE DID <i>YOU</i> COME FROM?

1097
01:00:14,486 --> 01:00:16,195
JUST FLEW IN.

1098
01:00:16,196 --> 01:00:19,407
COME ON.
I WANNA TALK TO YOU.

1099
01:00:21,701 --> 01:00:23,452
HOW COME YOU'RE IN FRESNO?

1100
01:00:23,453 --> 01:00:25,371
I DIDN'T THINK I'D SEE YOU.

1101
01:00:25,372 --> 01:00:27,206
I'VE BEEN A HARD MAN
TO FIND LATELY.

1102
01:00:27,207 --> 01:00:29,208
YOU DIDN'T CALL OR WRITE
OR ANYTHING.

1103
01:00:29,209 --> 01:00:33,712
WELL,
THERE'S AN EXPLANATION.

1104
01:00:33,713 --> 01:00:34,713
WHERE HAVE YOU BEEN?

1105
01:00:34,714 --> 01:00:37,383
I'VE BEEN WAITING FOR YOU
HALF THE AFTERNOON.

1106
01:00:37,384 --> 01:00:38,676
I WENT TO SEE MY KIDS.

1107
01:00:38,677 --> 01:00:39,718
HOW ARE THEY?

1108
01:00:39,719 --> 01:00:42,138
OH...FINE.
EVERYBODY'S FINE.

1109
01:00:42,139 --> 01:00:46,183
DO YOU REALIZE
HOW GREAT YOU LOOK TODAY?

1110
01:00:46,184 --> 01:00:48,727
BURT, I...I WANTED TO
TALK TO YOU ABOUT SOMETHING.

1111
01:00:48,728 --> 01:00:50,229
UH-HUH. WHAT?

1112
01:00:50,230 --> 01:00:52,189
UM...IT'S ABOUT LOVEY.

1113
01:00:52,190 --> 01:00:55,568
WHY DID YOU TRADE LOVEY?

1114
01:00:55,569 --> 01:00:57,153
LOVEY?

1115
01:00:57,154 --> 01:00:59,738
OH, OH, THAT WAS, UH,
THAT WAS BUSINESS.

1116
01:00:59,739 --> 01:01:01,490
SHE WAS NEEDED IN DENVER.

1117
01:01:01,491 --> 01:01:03,367
SHE'S DOING VERY WELL THERE.

1118
01:01:03,368 --> 01:01:07,079
AND THAT'S ALL IT WAS--
JUST BUSINESS?

1119
01:01:07,080 --> 01:01:08,581
OKAY.

1120
01:01:08,582 --> 01:01:12,418
MAYBE I WAS JEALOUS WITH HAVING
TO SHARE YOU WITH ANYONE.

1121
01:01:12,419 --> 01:01:14,420
IS THAT SO TERRIBLE?

1122
01:01:14,421 --> 01:01:15,754
NO.

1123
01:01:15,755 --> 01:01:17,423
IT'S JUST THE WAY YOU DID IT.

1124
01:01:17,424 --> 01:01:20,092
YOU KNOW, SO SUDDEN--
NO WARNING, NOTHING.

1125
01:01:20,093 --> 01:01:24,096
WELL, YOU KNOW, THAT'S PART
OF A SKATER'S LIFE.

1126
01:01:24,097 --> 01:01:25,222
THOSE THINGS HAPPEN.

1127
01:01:25,223 --> 01:01:26,599
ANYWAY,
THAT'S ALL IN THE PAST.

1128
01:01:26,600 --> 01:01:29,351
I WANT TO TELL YOU
ABOUT SOMETHING REALLY GREAT.

1129
01:01:29,352 --> 01:01:31,770
YOU KNOW THE PROJECT I'VE BEEN
WORKING ON FOR MONTHS?

1130
01:01:31,771 --> 01:01:33,022
I MENTIONED IT TO YOU.

1131
01:01:33,023 --> 01:01:35,774
THE THING THAT'S BEEN TAKING ME
OUT OF TOWN SO OFTEN?

1132
01:01:35,775 --> 01:01:39,111
WELL...I'M LEAVING PORTLAND.

1133
01:01:39,112 --> 01:01:40,112
YOU'RE LEAVING?

1134
01:01:40,113 --> 01:01:41,780
YEAH. GOING TO CHICAGO.

1135
01:01:41,781 --> 01:01:45,784
I'VE SET UP THE BIGGEST
FRANCHISE SKATING HAS EVER SEEN.

1136
01:01:45,785 --> 01:01:48,787
I'VE CLOSED
A NETWORK TELEVISION DEAL.

1137
01:01:48,788 --> 01:01:50,206
OH!

1138
01:01:50,207 --> 01:01:54,169
IT IS GOING TO BE FANTASTIC.
FANTASTIC!

1139
01:01:56,838 --> 01:01:58,464
YES!

1140
01:01:58,465 --> 01:02:01,884
FANTASTIC FOR BOTH OF US.

1141
01:02:01,885 --> 01:02:03,260
BOTH OF US?

1142
01:02:03,261 --> 01:02:04,470
MM-HMM.

1143
01:02:04,471 --> 01:02:06,764
I'M TAKING YOU
WITH ME, DIANE.

1144
01:02:06,765 --> 01:02:08,224
WELL, I CAN'T.

1145
01:02:08,225 --> 01:02:09,099
I MEAN, MY KIDS ARE HERE.

1146
01:02:09,100 --> 01:02:11,644
YOU ARE GOING TO BE
THE BIGGEST STAR

1147
01:02:11,645 --> 01:02:14,480
ON THE BIGGEST TEAM IN SKATING.

1148
01:02:14,481 --> 01:02:16,273
I'M GONNA MAKE THAT HAPPEN.

1149
01:02:16,274 --> 01:02:18,776
I MADE UP MY MIND
I WAS GONNA MAKE THIS HAPPEN

1150
01:02:18,777 --> 01:02:20,903
THE FIRST TIME I EVER SAW YOU.

1151
01:02:20,904 --> 01:02:23,322
BURT, IF I DON'T START SPENDING
MORE TIME WITH MY KIDS,

1152
01:02:23,323 --> 01:02:25,157
THEY'RE GONNA FORGET
THEY'VE GOT A MOTHER.

1153
01:02:25,158 --> 01:02:26,659
WE'LL BRING THEM ALONG.

1154
01:02:26,660 --> 01:02:30,412
THAT'S A PROMISE.

1155
01:02:30,413 --> 01:02:32,164
OH, I'M SO LONELY.

1156
01:02:32,165 --> 01:02:33,624
OH, ME TOO.

1157
01:02:33,625 --> 01:02:34,834
ME TOO.

1158
01:02:40,674 --> 01:02:42,384
WE WON'T BE LONELY
ANY LONGER.

1159
01:03:43,653 --> 01:03:46,405
WHAT'S HAPPENING?

1160
01:03:46,406 --> 01:03:47,907
OH, NOTHING MUCH.

1161
01:03:51,494 --> 01:03:53,412
LOOK A LITTLE TIRED.

1162
01:03:53,413 --> 01:03:54,496
OH, IT AIN'T THAT.

1163
01:03:54,497 --> 01:03:58,751
IT'S JUST THAT I KEEP
GETTING HIT HARDER, IT SEEMS.

1164
01:03:58,752 --> 01:04:00,503
BUT I'M NOT TIRED.

1165
01:04:06,634 --> 01:04:09,762
WHY DON'T YOU ASK MR. HENRY
TO GIVE YOU A REST?

1166
01:04:09,763 --> 01:04:11,263
NO, K.C., I CAN'T DO THAT.

1167
01:04:11,264 --> 01:04:14,600
HE MIGHT THINK
THAT I COULDN'T TAKE IT NO MORE.

1168
01:04:14,601 --> 01:04:16,644
I COULDN'T DO THAT.

1169
01:04:19,522 --> 01:04:24,443
HERE,
YOU NEED TO GET SOME SLEEP.

1170
01:04:24,444 --> 01:04:25,569
OOH.

1171
01:04:25,570 --> 01:04:27,613
THERE YOU GO.

1172
01:04:27,614 --> 01:04:32,827
HEY, IF YOU WANT,
I'LL RUB YOUR NECK.

1173
01:05:17,372 --> 01:05:18,497
HEY, VIVIEN?

1174
01:05:18,498 --> 01:05:18,997
WHAT?

1175
01:05:18,998 --> 01:05:19,748
HOW LONG?

1176
01:05:19,749 --> 01:05:20,999
HOWEVER THE HELL LONG
IT TAKES.

1177
01:05:21,000 --> 01:05:22,334
THAT'S HOW LONG.

1178
01:05:22,335 --> 01:05:23,420
JESUS CHRIST.

1179
01:05:26,673 --> 01:05:28,383
HAND HIM THE WRENCH.

1180
01:05:55,577 --> 01:05:56,493
HEY!

1181
01:05:56,494 --> 01:05:58,455
JACKIE?

1182
01:06:02,500 --> 01:06:03,709
SOMETHING THE MATTER?

1183
01:06:03,710 --> 01:06:05,502
NOT WITH ME.

1184
01:06:05,503 --> 01:06:11,383
HEY!!

1185
01:06:11,384 --> 01:06:13,552
WANT SOME?

1186
01:06:13,553 --> 01:06:15,888
NO THANKS.

1187
01:06:15,889 --> 01:06:18,390
A-ARE THE TWO OF YOU
COMING WITH US?!

1188
01:06:18,391 --> 01:06:19,975
HEY, THE BUS IS FIXED.

1189
01:06:19,976 --> 01:06:21,727
VIVIEN WAS SAYING THAT--

1190
01:06:21,728 --> 01:06:23,562
THE HELL WITH THE FIXED BUS.

1191
01:06:23,563 --> 01:06:25,564
THE HELL WITH THE BROKEN BUS.

1192
01:06:25,565 --> 01:06:27,649
THE HELL WITH EVERYBODY ON IT.

1193
01:06:27,650 --> 01:06:28,650
SCREW YOU.

1194
01:06:28,651 --> 01:06:30,569
HEY!!

1195
01:06:30,570 --> 01:06:33,781
WAIT A MINUTE, VIVIEN!

1196
01:06:36,451 --> 01:06:39,913
GET YOUR ASSES ON THIS BUS!

1197
01:06:41,664 --> 01:06:44,041
JACKIE, PLEASE, WE'VE GOTTA
GET BACK TO THE BUS.

1198
01:06:44,042 --> 01:06:44,374
NOW COME WITH ME.

1199
01:06:44,375 --> 01:06:46,169
SHUT UP!

1200
01:06:50,507 --> 01:06:56,929
BOTH OF YOU GOT FIVE SECONDS
TO GET ON THE BUS.

1201
01:06:56,930 --> 01:06:58,430
STOP FOLLOWING ME, WILL YOU?

1202
01:06:58,431 --> 01:06:59,681
JUST LEAVE ME ALONE.

1203
01:06:59,682 --> 01:07:00,933
YOU MAKE ME VERY NERVOUS.

1204
01:07:00,934 --> 01:07:02,434
I DON'T KNOW
WHEN I'M GONNA TURN AROUND

1205
01:07:02,435 --> 01:07:05,437
AND FIND MYSELF NOT THERE.

1206
01:07:05,438 --> 01:07:07,439
ALL RIGHT, WHAT IS IT THEN?

1207
01:07:07,440 --> 01:07:09,441
ALL RIGHT,
I'M NOT GONNA PUSSYFOOT AROUND.

1208
01:07:09,442 --> 01:07:12,194
I'M TALKING ABOUT YOU
PUSSYFOOTING, IF YOU FOLLOW ME.

1209
01:07:12,195 --> 01:07:13,779
THAT'S VERY TALENTED, K.C.,

1210
01:07:13,780 --> 01:07:16,448
ESPECIALLY WHEN YOU
LACE YOUR SKATES OFF

1211
01:07:16,449 --> 01:07:18,575
AND GO PUSSYFOOTING
WHERE IT REALLY PAYS OFF.

1212
01:07:18,576 --> 01:07:19,576
THAT'S SOME TALENT!

1213
01:07:19,577 --> 01:07:23,080
AND YOU HAVE A WAY
OF MAKING PEOPLE DISAPPEAR,

1214
01:07:23,081 --> 01:07:23,872
LIKE LOVEY.

1215
01:07:23,873 --> 01:07:26,709
AND WHO ELSE
HAVE YOU GOT IN MIND?

1216
01:07:31,881 --> 01:07:32,965
WHAT'S THE MATTER?

1217
01:07:32,966 --> 01:07:35,467
DON'T YOU WANNA TALK
ABOUT YOUR TALENT?

1218
01:07:35,468 --> 01:07:38,555
YEAH, I'LL TALK ABOUT IT...
WHEN YOU'RE SOBER.

1219
01:07:39,556 --> 01:07:40,890
I <i>AM</i> SOBER.

1220
01:09:44,597 --> 01:09:46,598
SIX YEARS...

1221
01:09:46,599 --> 01:09:49,936
FOR SIX YEARS I WAS...
I WAS SOMETHING.

1222
01:10:58,421 --> 01:11:00,672
<i>WELL, WE'VE GOT
TWO RENEGADE JAMMERS OUT THERE.</i>

1223
01:11:00,673 --> 01:11:04,176
<i>THERE'S JUDY SOWINSKI
AND TONETTE KADRAMAS.</i>

1224
01:11:04,177 --> 01:11:06,762
<i>ALONG OUT WITH THEM
FOR THE PORTLAND LOGGERS,</i>

1225
01:11:06,763 --> 01:11:09,264
<i>THERE SHE IS, K.C. CARR,
NUMBER 11.</i>

1226
01:11:09,265 --> 01:11:10,348
<i>TWO-ON-ONE JAM NOW.</i>

1227
01:11:10,349 --> 01:11:12,184
<i>ANYBODY CAN PICK UP POINTS.</i>

1228
01:11:12,185 --> 01:11:14,686
<i>THEY'RE FIGHTING FOR POSITION
AROUND THAT TRACK.</i>

1229
01:11:14,687 --> 01:11:16,188
<i>LOOK AT THOSE ELBOWS FLY!</i>

1230
01:11:16,189 --> 01:11:19,691
<i>K.C. CARR WORKING IN AND OUT,
IN AND OUT.</i>

1231
01:11:19,692 --> 01:11:23,195
<i>COMING UP TO THE BACK
OF THE PACK NOW.</i>

1232
01:11:23,196 --> 01:11:25,363
<i>BOY, THEY'RE WORKING OVER
K.C. NOW.</i>

1233
01:11:25,364 --> 01:11:28,867
<i>IT'S A SIT-DOWN IN THE BACK,
AND THE JAMMERS ARE ALL DOWN.</i>

1234
01:11:28,868 --> 01:11:32,162
<i>TRYING TO SCRAMBLE
OVER THAT PACK.</i>

1235
01:11:32,163 --> 01:11:36,708
<i>AGAIN, FIGHTING FOR POSITION,
AND THEY TAKE OUT K.C. CARR.</i>

1236
01:11:36,709 --> 01:11:38,794
<i>TWO RENEGADE GIRLS
WAITING FOR HER, THOUGH.</i>

1237
01:11:38,795 --> 01:11:40,837
<i>OH, SHE RUNS INTO A BRICK WALL.</i>

1238
01:11:40,838 --> 01:11:41,797
<i>K.C. GETTING UP.</i>

1239
01:11:41,798 --> 01:11:43,882
<i>THE RENEGADES ARE RIGHT THERE.</i>

1240
01:11:43,883 --> 01:11:46,218
<i>SOWINSKI AND KADRAMAS
ARE WORKING HER OVER.</i>

1241
01:11:46,219 --> 01:11:47,719
<i>LOOK AT THIS.</i>

1242
01:11:47,720 --> 01:11:48,220
<i>LOOK AT THIS!</i>

1243
01:11:48,221 --> 01:11:49,305
<i>HORRIBLE HANK...</i>

1244
01:11:52,433 --> 01:11:54,184
COME ON!
GET BACK!

1245
01:11:54,185 --> 01:11:55,727
<i>THE RENEGADE MEN
ARE UP IN ARMS.</i>

1246
01:11:55,728 --> 01:11:58,730
<i>THEY SAY, "THAT'S NOT FAIR!"</i>

1247
01:11:58,731 --> 01:12:01,066
<i>HANK NOW GIVING AN ASSIST
TO K.C.</i>

1248
01:12:01,067 --> 01:12:03,026
<i>DON'T WORRY ABOUT IT, HONEY.</i>

1249
01:12:03,027 --> 01:12:06,905
<i>YOU JUST PICKED UP 3 POINTS
FOR OUR TEAM.</i>

1250
01:12:06,906 --> 01:12:09,741
<i>THERE SHE IS,
THE REAL WINNER, K.C. CARR.</i>

1251
01:12:09,742 --> 01:12:12,286
<i>THERE'S HORRIBLE HANK HOPKINS,
AND LOOK AT THAT.</i>

1252
01:12:13,913 --> 01:12:17,833
<i>5...4...3...2...1...</i>

1253
01:12:17,834 --> 01:12:20,252
<i>AND THE PERIOD ENDS,
WITH THE SCORE</i>

1254
01:12:20,253 --> 01:12:23,255
<i>99 FOR THE RENEGADES,
86 FOR THE LOGGERS.</i>

1255
01:12:23,256 --> 01:12:26,883
<i>THE MEN TAKE THE TRACK
FOR THE EIGHTH AND FINAL</i>

1256
01:12:26,884 --> 01:12:28,093
<i>SKATING PERIOD OF PLAY TONIGHT.</i>

1257
01:12:28,094 --> 01:12:29,427
<i>LOOK AT THIS--</i>

1258
01:12:29,428 --> 01:12:31,054
<i>HORRIBLE HANK
DEMANDING THAT JAMMING HELMET.</i>

1259
01:12:31,055 --> 01:12:33,265
<i>HE WANTS TO GO OUT
AND DO SOME JAMMING HIMSELF,</i>

1260
01:12:33,266 --> 01:12:35,016
<i>SHOW THE RENEGADES
HOW IT'S DONE.</i>

1261
01:12:35,017 --> 01:12:37,519
<i>WELL, HE'S GOT IT NOW,
AND LET'S SEE WHAT HAPPENS.</i>

1262
01:12:37,520 --> 01:12:40,939
<i>THE BIG MAN, OUT ON THE JAM.</i>

1263
01:12:40,940 --> 01:12:42,023
<i>HEADING OUT NOW,</i>

1264
01:12:42,024 --> 01:12:45,443
<i>HE'S GOT TWO RENEGADE JAMMERS
TO CONTEND WITH.</i>

1265
01:12:45,444 --> 01:12:47,112
<i>THEY'RE SETTING UP
A DOUBLE BLOCK.</i>

1266
01:12:47,113 --> 01:12:48,029
<i>HANK COMING UP...</i>

1267
01:12:48,030 --> 01:12:50,282
<i>HE BREAKS RIGHT THROUGH.</i>

1268
01:12:50,283 --> 01:12:54,286
<i>SENDS THE RENEGADES SPRAWLING,
AND NOW IT'S HANK ALL ALONE.</i>

1269
01:12:54,287 --> 01:12:56,121
<i>HE'S THE ONLY ONE THAT CAN
PICK UP POINTS.</i>

1270
01:12:56,122 --> 01:12:57,789
<i>HE'S FOR THE LOGGERS,
NUMBER 10.</i>

1271
01:12:57,790 --> 01:12:59,457
<i>AND LOOK AT THE RENEGADES!</i>

1272
01:12:59,458 --> 01:13:02,794
<i>THEY'VE GOT THEIR WHOLE
MEN'S TEAM BACK THERE.</i>

1273
01:13:02,795 --> 01:13:04,796
<i>HE COMES...
HE CRASHES INTO THEM!</i>

1274
01:13:04,797 --> 01:13:05,881
<i>HE DOESN'T GO ANYWHERE.</i>

1275
01:13:05,882 --> 01:13:07,799
<i>THE RENEGADES HOLDING HIM BACK.</i>

1276
01:13:09,051 --> 01:13:12,137
<i>DICK WICKS GOES BY,
HE GETS 3 POINTS.</i>

1277
01:13:12,138 --> 01:13:15,891
<i>REFEREES IN
TO TRY AND BREAK UP THIS MESS.</i>

1278
01:13:15,892 --> 01:13:18,226
<i>HANK GETTING BEATEN UP
BY THE RENEGADES.</i>

1279
01:13:18,227 --> 01:13:19,854
<i>WHOA! LOOK AT THIS.</i>

1280
01:13:22,982 --> 01:13:26,484
<i>THE FANS DON'T LIKE HANK,
EITHER.</i>

1281
01:13:26,485 --> 01:13:28,820
<i>THEY'RE USING HIM
FOR TARGET PRACTICE.</i>

1282
01:13:28,821 --> 01:13:31,281
<i>THEY'RE THROWING EVERYTHING
THAT ISN'T GLUED DOWN.</i>

1283
01:13:40,583 --> 01:13:44,378
DON'T LAUGH AT ME!!

1284
01:13:46,005 --> 01:13:48,507
STOP THROWING AT ME!

1285
01:13:49,342 --> 01:13:50,508
SOOEY!

1286
01:13:50,509 --> 01:13:54,388
SOOEY!

1287
01:13:57,558 --> 01:13:58,600
SOOEY!

1288
01:13:58,601 --> 01:13:59,184
SOOEY!

1289
01:13:59,185 --> 01:14:01,186
<i>IT'S TIME TO GET OUT.</i>

1290
01:14:01,187 --> 01:14:03,104
<i>THAT'S NO PLACE FOR HIM.</i>

1291
01:14:03,105 --> 01:14:06,024
<i>AND THERE'S K.C. CARR
WITH A TOWEL.</i>

1292
01:14:06,025 --> 01:14:09,110
<i>SYMPATHY FOR HORRIBLE HANK HOPKINS.</i>

1293
01:14:09,111 --> 01:14:10,362
<i>WIPING HIS FACE NOW.</i>

1294
01:14:10,363 --> 01:14:11,405
YOU OKAY?

1295
01:14:12,949 --> 01:14:13,865
OH!

1296
01:14:13,866 --> 01:14:15,368
<i>HE GETS K.C. CARR IN THE FACE!</i>

1297
01:14:20,289 --> 01:14:22,165
<i>...MARTINEZ SHOVES HER...</i>

1298
01:14:22,166 --> 01:14:24,542
<i>...AND HERE COMES HANK HOPKINS.</i>

1299
01:14:24,543 --> 01:14:26,044
<i>HANK IS AFTER MARTINEZ.</i>

1300
01:14:26,045 --> 01:14:27,462
<i>LOOK OUT.</i>

1301
01:14:27,463 --> 01:14:30,215
<i>IF HE CATCHES YOU,
YOU'RE A DEAD MAN.</i>

1302
01:14:30,216 --> 01:14:33,051
<i>NOW HE'S CHOKING HIM
ON THAT RAIL.</i>

1303
01:14:33,052 --> 01:14:35,303
<i>GEORGE ADAMS...INTO THE CROWD!</i>

1304
01:14:35,304 --> 01:14:37,431
<i>OH, GEORGIE IS HURT.
LOOK OUT.</i>

1305
01:14:39,225 --> 01:14:43,895
<i>MARTINEZ...THROWS HIM
INTO THE PENALTY BOX.</i>

1306
01:14:43,896 --> 01:14:45,897
<i>HANK ISN'T GOING TO GIVE UP.</i>

1307
01:14:45,898 --> 01:14:49,150
<i>HE DRAGS MARTINEZ...</i>

1308
01:14:49,151 --> 01:14:50,902
YOU GOTTA DO SOMETHING!

1309
01:14:50,903 --> 01:14:51,903
SIT ON THE BENCH!

1310
01:14:51,904 --> 01:14:56,408
<i>SLUGGING HIM...VICIOUS BLOWS.</i>

1311
01:14:56,409 --> 01:14:59,369
<i>NOBODY WILL GET IN HIS WAY,
NOT EVEN THE REFEREES.</i>

1312
01:14:59,370 --> 01:15:00,912
<i>HE'S GOT HIM UP AGAIN.</i>

1313
01:15:00,913 --> 01:15:02,247
<i>BOOM! HE HITS HIM AGAIN.</i>

1314
01:15:02,248 --> 01:15:06,084
<i>I'VE NEVER SEEN
ANYTHING LIKE THIS.</i>

1315
01:15:06,085 --> 01:15:07,210
<i>HE'S MERCILESS.</i>

1316
01:15:07,211 --> 01:15:08,378
<i>LOOK AT HIM.</i>

1317
01:15:08,379 --> 01:15:10,505
<i>HE'S GETTING HIM UP AGAIN.</i>

1318
01:15:10,506 --> 01:15:13,591
<i>THOSE POWERFUL ARMS,
DRAGGING HIM UP AGAIN.</i>

1319
01:15:13,592 --> 01:15:15,260
<i>BEATING HIM SENSELESS.</i>

1320
01:15:15,261 --> 01:15:17,262
<i>NOW THIS IS GOING
JUST A LITTLE TOO FAR.</i>

1321
01:15:17,263 --> 01:15:21,308
<i>COME ON NOW, HANK.</i>

1322
01:15:25,104 --> 01:15:26,271
<i>ONE MORE TIME...</i>

1323
01:15:26,272 --> 01:15:30,191
<i>RIGHT THROUGH THAT RAIL
AND DOWN HE GOES.</i>

1324
01:15:30,192 --> 01:15:31,443
<i>AND HE IS HURT.</i>

1325
01:15:31,444 --> 01:15:32,944
<i>HE IS HURT BAD.</i>

1326
01:15:32,945 --> 01:15:35,447
<i>HERE COMES THE RENEGADE TEAM
NOW.</i>

1327
01:15:35,448 --> 01:15:37,658
<i>THEY'RE WORKING HIM OVER...</i>

1328
01:15:46,667 --> 01:15:48,960
<i>HANK'S TEAMMATES
COME TO HIS RESCUE,</i>

1329
01:15:48,961 --> 01:15:52,255
<i>TRYING TO DRAG THOSE RENEGADES
OFF FROM ON TOP OF HIM.</i>

1330
01:15:52,256 --> 01:15:54,257
<i>WHOA!
HANK TOOK IT THAT TIME.</i>

1331
01:15:54,258 --> 01:15:56,968
<i>WELL, HANK DID GO
JUST A BIT OVERBOARD,</i>

1332
01:15:56,969 --> 01:15:59,304
<i>AND I CAN'T BLAME
THOSE RENEGADES.</i>

1333
01:15:59,305 --> 01:16:03,141
HANK?

1334
01:16:03,142 --> 01:16:06,144
<i>IT WAS MERCILESS
WHAT HE DID TO FRANK MARTINEZ,</i>

1335
01:16:06,145 --> 01:16:08,980
<i>AND WHEN HE PUT GEORGE ADAMS
OVER THE RAIL,</i>

1336
01:16:08,981 --> 01:16:11,316
<i>HE HURT HIM
QUITE SERIOUSLY ALSO.</i>

1337
01:16:11,317 --> 01:16:15,153
I GUESS THEY GOT
THEIR MONEY'S WORTH TONIGHT.

1338
01:16:15,154 --> 01:16:16,572
DIDN'T THEY, K.C.?

1339
01:16:21,368 --> 01:16:24,329
WHEN K.C. GETS THROUGH,
SHE CAN SKATE BY HERSELF,

1340
01:16:24,330 --> 01:16:27,165
'CAUSE THERE WON'T BE
ANYBODY LEFT ON THIS TEAM.

1341
01:16:27,166 --> 01:16:29,334
HEY, K.C.?

1342
01:16:29,335 --> 01:16:30,627
YEAH?

1343
01:16:30,628 --> 01:16:34,464
HANK WANTS YOUR AUTOGRAPH.

1344
01:16:34,465 --> 01:16:36,424
GO TO HELL.

1345
01:16:36,425 --> 01:16:41,262
DON'T BOTHER WITH HER.

1346
01:16:41,263 --> 01:16:42,764
LISTEN, GOD DAMN IT!

1347
01:16:42,765 --> 01:16:46,518
I HAD NOTHING TO DO WITH THAT,
AND YOU ALL KNOW IT!

1348
01:16:46,519 --> 01:16:48,645
WHO YOU TRYING TO KID, K.C.?

1349
01:16:48,646 --> 01:16:53,149
HAVE ANYTHING TO DO WITH WHAT
GOES ON ON THE TRACK?

1350
01:16:53,150 --> 01:16:54,484
WHAT'S GOING ON?

1351
01:16:54,485 --> 01:16:56,027
SOMETHING'S GOING ON HERE.

1352
01:16:56,028 --> 01:16:57,278
ASK BURT.
I JUST WORK HERE.

1353
01:16:57,279 --> 01:16:59,155
I'M SICK AND TIRED
OF THIS RUNAROUND

1354
01:16:59,156 --> 01:17:00,532
FROM YOU AND EVERYBODY ELSE.

1355
01:17:00,533 --> 01:17:02,367
IF YOU'VE GOT SOME PROBLEM
WITH ME,

1356
01:17:02,368 --> 01:17:04,702
THEN LET'S HAVE IT OUT
RIGHT NOW.

1357
01:17:04,703 --> 01:17:06,538
WE'LL HAVE IT OUT RIGHT NOW!

1358
01:17:06,539 --> 01:17:09,374
YOU'VE NEVER BEEN
A PART OF THIS TEAM, K.C.

1359
01:17:09,375 --> 01:17:13,044
YOU'VE NEVER EVEN REALLY TRIED,
AND I COULD CARE LESS,

1360
01:17:13,045 --> 01:17:15,380
EXCEPT EVER SINCE
YOU'VE GOTTEN HERE,

1361
01:17:15,381 --> 01:17:17,340
THIS TEAM HAS GONE TO HELL.

1362
01:17:17,341 --> 01:17:18,800
AND THAT'S MY FAULT?

1363
01:17:18,801 --> 01:17:21,386
OH, BABY,
NOTHING ELSE HAS CHANGED.

1364
01:17:21,387 --> 01:17:24,305
HMM.
THEN SCREW YOU, SISTER!

1365
01:17:24,306 --> 01:17:27,642
I WOULDN'T GIVE YOU
THE PLEASURE.

1366
01:17:27,643 --> 01:17:29,727
IT'S NOT LIKE THAT, VIVIEN.

1367
01:17:29,728 --> 01:17:32,564
WELL, THEN YOU TELL THAT
TO LOVEY.

1368
01:17:32,565 --> 01:17:33,565
HMM?

1369
01:17:33,566 --> 01:17:35,233
FOR CHRIST'S SAKE!

1370
01:17:35,234 --> 01:17:38,236
PEOPLE GET TRADED
ALL THE TIME.

1371
01:17:38,237 --> 01:17:40,071
EXPLAIN THAT TO HANK.

1372
01:17:40,072 --> 01:17:42,365
HANK?
WHAT ABOUT HANK?

1373
01:17:42,366 --> 01:17:44,409
BURT JUST FIRED HANK.

1374
01:17:44,410 --> 01:17:47,662
OH, WOW, K.C.
YOU DID IT AGAIN.

1375
01:17:47,663 --> 01:17:48,746
SURE DID.

1376
01:17:48,747 --> 01:17:50,332
MISS HOT DOG.

1377
01:17:54,503 --> 01:17:56,254
NO ARGUMENT FROM ME, FRANK.

1378
01:17:56,255 --> 01:17:57,839
I...I--

1379
01:17:57,840 --> 01:18:01,092
I NEED TO TALK TO YOU,
BURT.

1380
01:18:01,093 --> 01:18:02,093
Shh!

1381
01:18:02,094 --> 01:18:03,094
SORRY, FRANK.

1382
01:18:03,095 --> 01:18:05,221
I PERSONALLY GUARANTEE YOU
A FULL ROSTER--

1383
01:18:05,222 --> 01:18:07,265
BURT,
I HAVE TO TALK TO YOU NOW.

1384
01:18:07,266 --> 01:18:09,726
YOU'LL HAVE A FULL ROSTER
ON THE 15th,

1385
01:18:09,727 --> 01:18:11,394
EVERYONE TO YOUR LIKING.

1386
01:18:11,395 --> 01:18:14,439
RIGHT.

1387
01:18:14,440 --> 01:18:16,191
YEAH, ALL SEASONED.

1388
01:18:16,192 --> 01:18:17,609
YEAH, YOU BET.

1389
01:18:17,610 --> 01:18:21,112
THANK YOU, FRANK.
I APPRECIATE THAT.

1390
01:18:21,113 --> 01:18:23,781
RIGHT.
I'LL SEE YOU THEN.

1391
01:18:23,782 --> 01:18:26,451
BURT, YOU JUST CAN'T DO THIS
TO HIM!

1392
01:18:26,452 --> 01:18:27,828
CLOSE THAT DOOR.

1393
01:18:31,540 --> 01:18:34,626
WHAT THE HELL
IS THE MATTER WITH THAT BOOB?

1394
01:18:34,627 --> 01:18:38,630
I'M ONE INCH AWAY FROM SIGNING
A CONTRACT WITH THAT MAN,

1395
01:18:38,631 --> 01:18:41,299
AND HE HEARD
WHAT HAPPENED TONIGHT.

1396
01:18:41,300 --> 01:18:43,384
ONE INCH AWAY!
MY GOD!

1397
01:18:43,385 --> 01:18:46,262
HE WANTS TO KNOW
HOW MANY MORE IDIOTS THERE ARE

1398
01:18:46,263 --> 01:18:47,305
ON THIS FRANCHISE
I'M SELLING HIM.

1399
01:18:47,306 --> 01:18:48,723
IT'S A DAMN GOOD QUESTION.

1400
01:18:48,724 --> 01:18:50,642
WELL, FOR CHRIST'S SAKE,
IT'S NOT HANK'S FAULT.

1401
01:18:50,643 --> 01:18:53,645
HE WAS JUST TRYING TO HELP ME,
TRYING TO PLEASE YOU.

1402
01:18:53,646 --> 01:18:57,565
WHAT'S HE GONNA DO,
NOW THAT YOU'VE FIRED HIM?

1403
01:18:57,566 --> 01:18:59,651
I DIDN'T.
I MADE HIM A FREE AGENT.

1404
01:18:59,652 --> 01:19:01,319
WHY?

1405
01:19:01,320 --> 01:19:04,781
FOR MONTHS NOW, YOU'VE BEEN
TELLING HIM, "MORE COLOR."

1406
01:19:04,782 --> 01:19:07,325
THERE ARE THREE RENEGADES
ON THE INJURED LIST OUT THERE!

1407
01:19:07,326 --> 01:19:12,330
I'LL BE DAMN LUCKY
IF SOMEBODY DOESN'T SUE ME.

1408
01:19:12,331 --> 01:19:13,831
BUT YOU CAN'T JUST THROW HANK

1409
01:19:13,832 --> 01:19:17,335
ON THE DUMP HEAP
AFTER YOU'VE USED HIM!

1410
01:19:17,336 --> 01:19:20,338
WE'RE ALL USED--
YOU, ME, ANYBODY ON TWO LEGS.

1411
01:19:20,339 --> 01:19:22,173
THAT'S WHAT IT'S ALL ABOUT.

1412
01:19:22,174 --> 01:19:24,175
THAT'S YOUR AMERICAN PIE
FOR YOU.

1413
01:19:24,176 --> 01:19:26,302
YOU OUGHT TO KNOW THAT BY NOW.

1414
01:19:26,303 --> 01:19:28,681
SOOEY!

1415
01:19:33,602 --> 01:19:35,396
YOU HAVEN'T HEARD
A WORD I SAID.

1416
01:19:36,230 --> 01:19:37,480
SOOEY!

1417
01:19:37,481 --> 01:19:40,191
WHAT THE HELL IS HE DOING?

1418
01:19:40,192 --> 01:19:42,236
SOOEY!

1419
01:19:45,864 --> 01:19:47,241
SOOEY!

1420
01:20:01,255 --> 01:20:07,886
SOOEY!

1421
01:20:09,430 --> 01:20:18,314
SOOEY!

1422
01:20:20,649 --> 01:20:24,320
SOOEY! SOO!

1423
01:20:27,823 --> 01:20:30,241
SOOEY!

1424
01:20:30,242 --> 01:20:33,329
SOO!

1425
01:20:35,289 --> 01:20:37,248
COLOR, MR. HENRY!

1426
01:20:37,249 --> 01:20:42,754
SOOEY!

1427
01:20:42,755 --> 01:20:45,466
YOU WANT COLOR, MR. HENRY?!

1428
01:20:48,927 --> 01:20:51,262
THAT'S WHAT YOU SAID--
GIVE COLOR!

1429
01:20:51,263 --> 01:20:52,263
MAKE THEM MAD!

1430
01:20:52,264 --> 01:20:55,725
WHAT THE HELL
DO YOU THINK YOU'RE DOING?

1431
01:20:55,726 --> 01:20:57,853
COLOR, MR. HENRY!

1432
01:21:00,314 --> 01:21:01,607
COLOR!

1433
01:21:03,984 --> 01:21:06,278
YOU SAID GIVE THEM COLOR,
MR. HENRY.

1434
01:21:08,030 --> 01:21:09,781
ALL RIGHT.
GIVE THEM COLOR!

1435
01:21:09,782 --> 01:21:10,782
BURT!

1436
01:21:10,783 --> 01:21:13,034
BOYS, GIVE ME A HAND.

1437
01:21:13,035 --> 01:21:14,995
GET HIM OFF THE TRACK.

1438
01:21:19,541 --> 01:21:21,292
WHAT THE HELL IS THE MATTER...

1439
01:21:21,293 --> 01:21:25,296
PLEASE DON'T TAKE ME
OFF THE TRACK!

1440
01:21:25,297 --> 01:21:26,422
BURT, PLEASE.

1441
01:21:26,423 --> 01:21:27,965
BURT, PLEASE! STOP IT!

1442
01:21:27,966 --> 01:21:30,468
LET ME HANDLE THIS!
SECURITY!

1443
01:21:30,469 --> 01:21:32,428
MR. HENRY, PLEASE...

1444
01:21:32,429 --> 01:21:33,304
SECURITY!

1445
01:21:33,305 --> 01:21:35,473
WHAT THE HELL
IS THE MATTER WITH YOU?

1446
01:21:35,474 --> 01:21:36,974
DON'T LET 'EM TAKE ME OFF.

1447
01:21:36,975 --> 01:21:38,893
DON'T FIRE ME, MR. HENRY!

1448
01:21:38,894 --> 01:21:40,311
MR. HENRY, PLEASE!

1449
01:21:40,312 --> 01:21:41,938
SECURITY!

1450
01:21:41,939 --> 01:21:45,483
ALL I EVER DONE WAS WHAT YOU
ASKED ME TO DO, MR. HENRY.

1451
01:21:45,484 --> 01:21:47,985
PLEASE! I AIN'T NO PIG!

1452
01:21:47,986 --> 01:21:49,737
PLEASE. OH, PLEASE.

1453
01:21:49,738 --> 01:21:53,658
I NEVER WANTED TO BE
NO DIFFERENT THAN THE OTHERS.

1454
01:21:53,659 --> 01:21:56,911
I AIN'T NO PIG!

1455
01:21:56,912 --> 01:21:58,287
K.C.!

1456
01:21:58,288 --> 01:22:02,668
K.C., IT'S TRUE WHAT THEY SAID
ABOUT YOU AND HIM, AIN'T IT?

1457
01:22:04,670 --> 01:22:09,006
I NEVER WANTED TO BELIEVE IT,
BUT IT'S TRUE, AIN'T IT?!

1458
01:22:09,007 --> 01:22:11,092
I DON'T LOVE YOU NO MORE!

1459
01:22:11,093 --> 01:22:12,677
GET HIM OUT OF HERE...FAST!

1460
01:22:12,678 --> 01:22:15,012
IT'S TRUE.
I DON'T LOVE YOU NO MORE!

1461
01:22:15,013 --> 01:22:17,765
I DON'T LOVE YOU NO MORE!

1462
01:22:17,766 --> 01:22:19,684
I DON'T LOVE YOU!

1463
01:22:19,685 --> 01:22:22,019
GET HIM OUT OF HERE!

1464
01:22:22,020 --> 01:22:23,521
WHAT DO YOU WANT NOW?

1465
01:22:23,522 --> 01:22:25,732
YOU WANT ME
TO GIVE HIM A RAISE?

1466
01:23:01,935 --> 01:23:03,812
DIANE?

1467
01:23:08,817 --> 01:23:12,487
WHERE THE HELL HAVE YOU BEEN?

1468
01:23:12,488 --> 01:23:13,655
WALKING.

1469
01:23:17,659 --> 01:23:19,869
HE'LL FIND
A WHOLE MONTH'S PAY

1470
01:23:19,870 --> 01:23:21,579
IN HIS ENVELOPE TOMORROW.

1471
01:23:21,580 --> 01:23:23,414
A BIG GUY LIKE THAT--

1472
01:23:23,415 --> 01:23:27,419
HE'LL HAVE NO TROUBLE GETTING
A MUSCLE JOB OF SOME SORT.

1473
01:23:29,087 --> 01:23:32,006
K.C...DIANE?

1474
01:23:32,007 --> 01:23:33,090
I HAVE TO TAKE OFF.

1475
01:23:33,091 --> 01:23:34,926
I WON'T GET BACK
BEFORE SATURDAY.

1476
01:23:34,927 --> 01:23:37,178
I WANT YOU TO KNOW
ABOUT MY SATURDAY PLANS.

1477
01:23:37,179 --> 01:23:39,013
WE'RE FINISHING OFF HERE
SATURDAY,

1478
01:23:39,014 --> 01:23:40,515
AND I WANT TO DO IT BIG.

1479
01:23:40,516 --> 01:23:42,725
PLANNING A MATCH RACE
BETWEEN YOU AND JACKIE.

1480
01:23:42,726 --> 01:23:45,561
THEY'LL ANNOUNCE IT
AT HALFTIME.

1481
01:23:45,562 --> 01:23:47,522
MAKE IT SPONTANEOUS.

1482
01:23:47,523 --> 01:23:48,439
OKAY?

1483
01:23:48,440 --> 01:23:51,442
NOW, WHEN JACKIE
CROSSES THE FINISH LINE,

1484
01:23:51,443 --> 01:23:54,612
I'M GONNA HAVE THE ANNOUNCER
STATE THAT THE LOSER,

1485
01:23:54,613 --> 01:23:57,448
'CAUSE OF COURAGE SHOWN
AND ALL THAT,

1486
01:23:57,449 --> 01:24:00,576
THE LOSER-- YOU--
IS GOING TO BECOME CAPTAIN

1487
01:24:00,577 --> 01:24:02,703
OF THE NEW CHICAGO FRANCHISE.

1488
01:24:02,704 --> 01:24:03,704
HMM?

1489
01:24:03,705 --> 01:24:05,790
YEAH, FINE.

1490
01:24:05,791 --> 01:24:12,881
JACKIE GETS WHAT SHE WANTS,
YOU GET WHAT YOU WANT,

1491
01:24:13,006 --> 01:24:15,800
FANS GET A BATTLE.

1492
01:24:15,801 --> 01:24:19,220
DOES JACKIE KNOW WHO'S
SUPPOSED TO "WIN" THIS RACE?

1493
01:24:19,221 --> 01:24:22,640
I TOLD HER THAT THERE WAS
ONLY ROOM FOR ONE OF YOU

1494
01:24:22,641 --> 01:24:25,977
ON THE PORTLAND TEAM,
AND I DIDN'T CARE WHICH ONE.

1495
01:24:25,978 --> 01:24:28,646
SO SHE'LL BE OUT THERE
HAMMERING AWAY.

1496
01:24:28,647 --> 01:24:30,982
YOU'RE PRO ENOUGH
TO TAKE THAT.

1497
01:24:30,983 --> 01:24:34,194
YOU CAN HIT THE INFIELD
ANY TIME YOU WANT.

1498
01:24:36,530 --> 01:24:38,239
YOU ALL RIGHT?

1499
01:24:38,240 --> 01:24:40,033
YEAH, FINE.

1500
01:24:44,830 --> 01:24:47,999
BEEN WALKING ALL NIGHT?

1501
01:24:48,000 --> 01:24:50,501
YEAH, JUST ABOUT.

1502
01:24:50,502 --> 01:24:56,507
IS SOMETHING BOTHERING YOU
BESIDES HANK?

1503
01:24:56,508 --> 01:24:58,927
YOU...

1504
01:25:00,929 --> 01:25:03,681
...AND ME.

1505
01:25:03,682 --> 01:25:04,932
OH, NO, YOU'RE UPSET.

1506
01:25:04,933 --> 01:25:07,184
YOU'RE JUST UPSET.
THAT'S ALL.

1507
01:25:07,185 --> 01:25:09,103
SO AM I.
BOTH OF US ARE.

1508
01:25:09,104 --> 01:25:10,605
IT WAS A LOUSY NIGHT.

1509
01:25:10,606 --> 01:25:13,233
BOTH OF US JUST NEED
A LITTLE REST.

1510
01:25:17,237 --> 01:25:20,656
OKAY?

1511
01:25:20,657 --> 01:25:22,576
MM-HMM.

1512
01:25:24,620 --> 01:25:26,203
OH, ONE MORE THING
BEFORE I FORGET,

1513
01:25:26,204 --> 01:25:27,663
ABOUT THE CHICAGO TRIP.

1514
01:25:27,664 --> 01:25:29,707
YOU DON'T BRING THE KIDS ALONG

1515
01:25:29,708 --> 01:25:31,709
FOR A COUPLE OF WEEKS
OR A MONTH.

1516
01:25:31,710 --> 01:25:34,295
PUBLICITY CAMPAIGN
WE'VE GOT PLANNED FOR YOU.

1517
01:25:34,296 --> 01:25:35,963
TWO KIDS JUST DON'T FIT IN.

1518
01:25:35,964 --> 01:25:38,883
IT'S ONLY TEMPORARY--
UNTIL IT DOESN'T MATTER.

1519
01:25:38,884 --> 01:25:40,718
OKAY?

1520
01:25:40,719 --> 01:25:44,013
YEAH, SURE.

1521
01:25:44,014 --> 01:25:46,642
YOU'RE A TERRIFIC KID.

1522
01:25:51,647 --> 01:25:52,980
I LOVE YOU.

1523
01:25:52,981 --> 01:25:57,902
OR...CLOSEST THING
I'LL EVER COME TO IT.

1524
01:25:57,903 --> 01:26:01,906
HOW DO YOU FEEL ABOUT IT,
HMM?

1525
01:26:01,907 --> 01:26:04,200
THE SAME...

1526
01:26:04,201 --> 01:26:10,331
CLOSEST THING
I'LL EVER COME TO IT, I GUESS.

1527
01:26:10,332 --> 01:26:11,749
SEE YOU SATURDAY?

1528
01:26:11,750 --> 01:26:13,293
RIGHT.

1529
01:26:49,121 --> 01:26:50,621
<i>HEADING OUT ON THE JAM,</i>

1530
01:26:50,622 --> 01:26:53,124
<i>IT'S RALPHIE VALLADEREZ,
NUMBER 8, FOR THE LOGGERS,</i>

1531
01:26:53,125 --> 01:26:55,209
<i>AND THERE'S GEORGE ADAMS
FOR THE RENEGADES.</i>

1532
01:26:55,210 --> 01:26:56,794
<i>WHOOPS!
DOWN GOES GEORGE ADAMS.</i>

1533
01:26:56,795 --> 01:26:58,713
<i>AND THAT LEAVES
RALPHIE VALLADEREZ</i>

1534
01:26:58,714 --> 01:26:59,964
<i>ALL BY HIMSELF OUT THERE.</i>

1535
01:26:59,965 --> 01:27:01,632
<i>WE'VE GOT QUITE AN ARGUMENT</i>

1536
01:27:01,633 --> 01:27:03,801
<i>BETWEEN JACKIE BURDETTE
AND K.C. CARR.</i>

1537
01:27:03,802 --> 01:27:06,637
<i>VIVIEN CARTWRIGHT TRYING TO GET
IN THE MIDDLE OF THAT ONE.</i>

1538
01:27:06,638 --> 01:27:08,222
KNOCK IT OFF!
I MEAN IT.

1539
01:27:08,223 --> 01:27:09,974
<i>THEY WANT TO PICK UP
SOME POINTS.</i>

1540
01:27:09,975 --> 01:27:11,976
<i>HERE COMES RICHARD,
STRAIGHT THROUGH.</i>

1541
01:27:11,977 --> 01:27:13,394
<i>COMING THROUGH NOW-- RALPHIE.</i>

1542
01:27:13,395 --> 01:27:14,645
<i>HE'S GOT 4.</i>

1543
01:27:14,646 --> 01:27:16,147
<i>HE'S GOING AFTER RAINS.</i>

1544
01:27:16,148 --> 01:27:18,899
<i>HE CAN'T CATCH UP TO HIM YET.</i>

1545
01:27:18,900 --> 01:27:20,735
<i>HERE HE COMES.</i>

1546
01:27:20,736 --> 01:27:22,653
<i>HE'S ABREAST OF HIM.</i>

1547
01:27:22,654 --> 01:27:23,821
<i>HE KNOCKS HIM UP TO THE RAIL.</i>

1548
01:27:31,705 --> 01:27:33,415
I BETTER GET DOWN THERE
AND SEE WHAT'S HAPPENED.

1549
01:27:35,375 --> 01:27:36,417
AND I MEAN IT!

1550
01:27:36,418 --> 01:27:38,294
YOU'RE GONNA HURT SOMEONE!

1551
01:27:38,295 --> 01:27:41,797
YOU'RE BOTH ON THE SAME TEAM,
SO CUT IT OUT!

1552
01:27:41,798 --> 01:27:45,092
THIS IS A WASHED-UP, OLD BITCH
WHO CAN'T EVEN SKATE ANYMORE.

1553
01:27:45,093 --> 01:27:46,761
SHE TRIPS OVER HER OWN FEET.

1554
01:27:46,762 --> 01:27:49,096
I'M SICK AND TIRED OF YOU
BEING A GLORY--

1555
01:27:49,097 --> 01:27:50,681
YEAH, YEAH, YEAH.

1556
01:27:50,682 --> 01:27:53,309
AND IF K.C. CARR
THINKS SHE'S SO DARN CUTE,

1557
01:27:53,310 --> 01:27:55,978
I WONDER HOW CUTE SHE'D BE
IN A MATCH RACE.

1558
01:27:55,979 --> 01:27:58,689
A MATCH RACE!
YOU MUST BE JOKING.

1559
01:27:58,690 --> 01:28:00,191
I COULD BEAT YOU HANDS DOWN.

1560
01:28:00,192 --> 01:28:03,027
BUT IF THAT'S WHAT YOU WANT,
YOU CAN HAVE IT.

1561
01:28:03,028 --> 01:28:04,445
YEAH, THAT'S RIGHT.

1562
01:28:04,446 --> 01:28:06,864
WE'LL JUST HAVE A MATCH RACE
RIGHT HERE.

1563
01:28:06,865 --> 01:28:09,992
AND WE'RE GONNA FIND OUT WHO'S
GONNA LEAVE PORTLAND FOREVER!

1564
01:28:09,993 --> 01:28:11,368
ANYTIME, ANYPLACE.

1565
01:28:11,369 --> 01:28:13,120
I CAN TELL YOU RIGHT NOW,

1566
01:28:13,121 --> 01:28:16,207
K.C. CARR BETTER START PACKING
ALL HER BRAS.

1567
01:28:16,208 --> 01:28:17,875
AT LEAST I GOT BRAS
AND NOT EGGCUPS.

1568
01:28:17,876 --> 01:28:20,878
YOUR BOYFRIEND COMPLAINING?

1569
01:28:20,879 --> 01:28:22,129
NO HOLDS BARRED.

1570
01:28:22,130 --> 01:28:25,883
YOU'RE A BIG MOUTH.
HOW ABOUT RIGHT NOW?

1571
01:28:25,884 --> 01:28:26,927
COME ON.

1572
01:28:28,261 --> 01:28:30,012
K.C., CUT IT OUT!

1573
01:28:30,013 --> 01:28:31,138
ONE MORE TIME.

1574
01:28:31,139 --> 01:28:32,306
LET'S SEE YOU DO IT AGAIN.

1575
01:28:32,307 --> 01:28:33,057
SURE, BABY.

1576
01:28:33,058 --> 01:28:35,810
WHAT DO YOU WANT?
YOU WANNA FIGHT?

1577
01:28:35,811 --> 01:28:36,227
YEAH!

1578
01:28:36,228 --> 01:28:37,270
ALL RIGHT!

1579
01:28:44,069 --> 01:28:45,236
THERE WE HAVE IT.

1580
01:28:45,237 --> 01:28:47,196
YOU'VE SEEN THE FEUD
BETWEEN THESE TWO GIRLS

1581
01:28:47,197 --> 01:28:48,239
DEVELOPING THESE PAST FEW WEEKS,

1582
01:28:48,240 --> 01:28:51,408
EVER SINCE K.C. CARR
WAS TRADED TO THE LOGGER TEAM.

1583
01:28:51,409 --> 01:28:53,410
AND NOW IT'S ERUPTED
INTO THIS--

1584
01:28:53,411 --> 01:28:55,746
A 5-LAP,
ANYTHING-GOES MATCH RACE

1585
01:28:55,747 --> 01:28:57,915
NEXT SATURDAY NIGHT, RIGHT HERE.

1586
01:28:57,916 --> 01:29:00,501
AND THE LOSER
MUST LEAVE PORTLAND FOREVER!

1587
01:29:00,502 --> 01:29:02,753
AND FOREVER
IS A LONG, LONG TIME.

1588
01:29:02,754 --> 01:29:03,838
WHO WILL IT BE?

1589
01:29:03,839 --> 01:29:05,756
WILL IT BE
JACKIE BURDETTE LEAVING,

1590
01:29:05,757 --> 01:29:07,758
OR WILL IT BE K.C. CARR?

1591
01:29:07,759 --> 01:29:09,093
COME ON!

1592
01:29:09,094 --> 01:29:11,929
I KNOW
<i>I'M</i> NOT GONNA MISS IT!

1593
01:29:11,930 --> 01:29:17,268
OKAY, THAT'S 3...4...5.

1594
01:29:17,269 --> 01:29:19,019
25.

1595
01:29:19,020 --> 01:29:20,981
YES, MA'AM.

1596
01:29:26,820 --> 01:29:28,112
<i>...OUT ON THIS JAM,</i>

1597
01:29:28,113 --> 01:29:29,947
<i>IT LOOKS LIKE
HE'S PICKING UP SOME POINTS.</i>

1598
01:29:29,948 --> 01:29:31,115
<i>LOOK AT HIM BACK THERE.</i>

1599
01:29:31,116 --> 01:29:32,284
<i>HE'S GOT 1...2.</i>

1600
01:29:38,957 --> 01:29:40,457
<i>...MAN FROM JAPAN
REALLY DID IT.</i>

1601
01:29:40,458 --> 01:29:41,792
<i>LOOK AT THE FANS GO CRAZY.</i>

1602
01:29:41,793 --> 01:29:42,836
<i>THEY LOVE THIS LITTLE...</i>

1603
01:29:53,346 --> 01:29:56,057
<i>QUITE A GAME TONIGHT.</i>

1604
01:30:01,521 --> 01:30:03,272
<i>LOOK OUT OVER THERE.
HE'S COMING AT HIM.</i>

1605
01:30:03,273 --> 01:30:04,232
<i>WHOA!</i>

1606
01:30:08,904 --> 01:30:10,321
<i>WE'VE GOT A PILEUP THERE.</i>

1607
01:30:10,322 --> 01:30:12,156
<i>HE'S TRYING TO GET OVER ON TOP.</i>

1608
01:30:12,157 --> 01:30:13,366
<i>GOOD LUCK TO HIM.</i>

1609
01:30:26,254 --> 01:30:29,215
<i>AS WE NEAR HALFTIME NOW,
THE RENEGADES...</i>

1610
01:30:47,025 --> 01:30:49,860
<i>THEY'RE REALLY GOING WILD
OUT THERE TONIGHT.</i>

1611
01:30:49,861 --> 01:30:51,528
<i>LOOK AT THEM!
OH, BOY!</i>

1612
01:30:51,529 --> 01:30:52,655
<i>LOOK AT THEM.</i>

1613
01:30:52,656 --> 01:30:55,616
<i>HE'S GOING IN AND OUT,
ALL AROUND THROUGH,</i>

1614
01:30:55,617 --> 01:30:56,867
<i>UP AND DOWN.</i>

1615
01:30:56,868 --> 01:30:58,035
<i>LOOK AT HIM SCORE.</i>

1616
01:30:58,036 --> 01:30:59,036
<i>HE'S GOT 4...</i>

1617
01:30:59,037 --> 01:31:01,038
<i>HE'S GOT THE WHOLE FISTFUL.</i>

1618
01:31:01,039 --> 01:31:03,124
<i>5 BIG POINTS FOR THE LOGGERS.</i>

1619
01:31:20,433 --> 01:31:23,894
MAN, LET'S SKATE THIS THING
FOR REAL.

1620
01:31:23,895 --> 01:31:27,064
JUST STRAIGHT OUT--
YOU AND ME.

1621
01:31:27,065 --> 01:31:28,399
WHY NOT?

1622
01:31:28,400 --> 01:31:34,029
RESULT'S GONNA BE THE SAME
ANYWAY.

1623
01:31:34,030 --> 01:31:35,991
I WOULDN'T BE TOO SURE.

1624
01:31:43,915 --> 01:31:46,667
THAT'S A HELL OF A TEAM
YOU'VE BUILT.

1625
01:31:46,668 --> 01:31:49,004
IT'S ALL YOURS NOW.

1626
01:32:08,148 --> 01:32:10,441
<i>AND HERE THEY ARE,
LADIES AND GENTLEMEN.</i>

1627
01:32:10,442 --> 01:32:12,443
<i>FIRST,
THAT'S NUMBER 11, K.C. CARR.</i>

1628
01:32:12,444 --> 01:32:15,279
<i>RIGHT BEHIND HER, HER OPPONENT
IN THIS MATCH RACE,</i>

1629
01:32:15,280 --> 01:32:16,947
<i>NUMBER 7, JACKIE BURDETTE.</i>

1630
01:32:16,948 --> 01:32:19,533
<i>THIS IS THE MATCH RACE
WE'VE ALL BEEN WAITING FOR.</i>

1631
01:32:19,534 --> 01:32:21,285
<i>FIVE LAPS-- ANYTHING GOES.</i>

1632
01:32:21,286 --> 01:32:25,289
<i>AND THE LOSER
MUST LEAVE PORTLAND FOREVER.</i>

1633
01:32:25,290 --> 01:32:29,127
<i>THIS IS THE BIG ONE.</i>

1634
01:32:32,047 --> 01:32:33,964
<i>EXCITEMENT GROWING
IN THIS CROWD.</i>

1635
01:32:33,965 --> 01:32:35,299
<i>AND LOOK AT THESE TWO GIRLS.</i>

1636
01:32:35,300 --> 01:32:38,093
<i>THEY'RE TAKING
THEIR WARM-UP LAP,</i>

1637
01:32:38,094 --> 01:32:40,137
<i>COMING NOW
TO THAT STARTING LINE.</i>

1638
01:32:40,138 --> 01:32:42,307
<i>THE REFEREE LINING THEM UP.</i>

1639
01:32:55,653 --> 01:32:57,988
<i>AND WE'VE GOT THE MATCH RACE
GOING.</i>

1640
01:32:57,989 --> 01:32:59,448
<i>STARTS OUT...</i>

1641
01:32:59,449 --> 01:33:03,619
<i>NEITHER GIRL ABLE TO GET
THAT ADVANTAGE.</i>

1642
01:33:03,620 --> 01:33:05,662
FOUR TO GO!
FOUR TO GO!

1643
01:33:05,663 --> 01:33:09,750
<i>FOUR LAPS TO GO
IN THIS MATCH RACE.</i>

1644
01:33:09,751 --> 01:33:13,337
<i>BOTH OF THESE GIRLS
TRYING HARD.</i>

1645
01:33:13,338 --> 01:33:16,256
THREE TO GO!
THREE TO GO!

1646
01:33:16,257 --> 01:33:18,133
<i>THREE LAPS TO GO NOW.</i>

1647
01:33:18,134 --> 01:33:22,012
<i>HERE COMES JACKIE
ON TOP OF K.C.</i>

1648
01:33:22,013 --> 01:33:23,223
DAMN!

1649
01:33:24,557 --> 01:33:25,808
<i>...BACK UP AGAIN, THOUGH.</i>

1650
01:33:25,809 --> 01:33:29,645
<i>A COUPLE OF PROS OUT HERE,
AND NOTHING'S GONNA STOP THEM.</i>

1651
01:33:29,646 --> 01:33:30,687
<i>WHOA, LOOK OUT!</i>

1652
01:33:30,688 --> 01:33:32,147
<i>DOWN GOES K.C.!</i>

1653
01:33:32,148 --> 01:33:34,191
<i>LOOK OUT, K.C.</i>

1654
01:33:34,192 --> 01:33:35,275
<i>SHE GETS A WHIP...</i>

1655
01:33:35,276 --> 01:33:36,611
<i>DOWN SHE GOES!</i>

1656
01:33:39,114 --> 01:33:39,696
<i>HERE COMES JACKIE...</i>

1657
01:33:39,697 --> 01:33:42,366
<i>KICKS K.C.</i>

1658
01:33:42,367 --> 01:33:44,034
<i>IT'S LOOKING PRETTY ROUGH
OUT THERE.</i>

1659
01:33:44,035 --> 01:33:46,037
<i>HERE COMES K.C.
BACK FOR SOME MORE.</i>

1660
01:33:48,790 --> 01:33:51,041
<i>SHE'S GOING AFTER JACKIE.</i>

1661
01:33:51,042 --> 01:33:54,044
<i>...AND JACKIE NOW
IS IN TROUBLE.</i>

1662
01:33:54,045 --> 01:33:56,046
<i>K.C. NOW...TRYING TO GET UP.</i>

1663
01:33:56,047 --> 01:33:58,132
<i>SHE WANTS TO WIN THIS ONE.</i>

1664
01:33:58,133 --> 01:33:59,551
<i>WHOA! LOOK AT THAT.</i>

1665
01:34:05,598 --> 01:34:07,683
<i>JACKIE NOW GETTING BACK UP.</i>

1666
01:34:07,684 --> 01:34:11,061
<i>LOOKS LIKE SHE'S GONNA TAKE
THE ADVANTAGE.</i>

1667
01:34:11,062 --> 01:34:12,230
<i>HERE COMES K.C.</i>

1668
01:34:14,899 --> 01:34:17,569
<i>THEY'RE BOTH UP AGAIN.</i>

1669
01:34:19,279 --> 01:34:21,156
<i>BOTH DOWN AGAIN NOW.</i>

1670
01:34:23,283 --> 01:34:26,160
<i>SLUGS HER HARD.</i>

1671
01:34:26,161 --> 01:34:28,662
<i>DOWN SHE GOES.</i>

1672
01:34:28,663 --> 01:34:33,083
<i>THERE'S TWO LAPS TO GO
IN THIS RACE.</i>

1673
01:34:33,084 --> 01:34:37,421
<i>HERE THEY COME NOW.</i>

1674
01:34:37,422 --> 01:34:39,799
<i>GOT A HOLD OF K.C. BY THE HAIR</i>

1675
01:34:44,846 --> 01:34:47,181
<i>AND SLAMS HER HEAD
INTO THAT RAIL.</i>

1676
01:34:47,182 --> 01:34:49,266
<i>AND K.C. LOOKS LIKE
SHE'S IN TROUBLE.</i>

1677
01:34:49,267 --> 01:34:52,227
<i>K.C. IN TROUBLE NOW
AS JACKIE BURDETTE,</i>

1678
01:34:52,228 --> 01:34:55,439
<i>CAPTAIN OF THIS LOGGER TEAM
FOR SIX YEARS,</i>

1679
01:34:55,440 --> 01:34:57,275
<i>IS WORKING HER OVER.</i>

1680
01:35:01,487 --> 01:35:04,281
<i>HERE COMES K.C.</i>

1681
01:35:04,282 --> 01:35:06,283
ONE TO GO!

1682
01:35:06,284 --> 01:35:08,202
<i>THIS IS THE FINAL LAP.</i>

1683
01:35:08,203 --> 01:35:09,578
<i>WHAT'S THIS?</i>

1684
01:35:09,579 --> 01:35:12,122
<i>A WHIP!</i>

1685
01:35:12,123 --> 01:35:15,209
<i>AND JACKIE LOOKS LIKE SHE MIGHT
BE GOING ON TO WIN IT.</i>

1686
01:35:15,210 --> 01:35:16,376
<i>K.C...</i>

1687
01:35:16,377 --> 01:35:17,712
<i>SHE'S GONNA STOP JACKIE.</i>

1688
01:35:20,340 --> 01:35:25,135
<i>K.C.'S GOING BACK
TO PICK UP THAT HALF LAP.</i>

1689
01:36:05,009 --> 01:36:06,510
<i>LOOK AT THESE GIRLS!</i>

1690
01:36:06,511 --> 01:36:08,721
<i>THIS IS...</i>

1691
01:36:11,557 --> 01:36:13,893
<i>HERE COMES K.C.!</i>

1692
01:37:14,787 --> 01:37:17,247
<i>K.C. CARR!</i>

1693
01:37:38,478 --> 01:37:43,607
[ Chanting ] K.C.!
K.C.! K.C.! K.C.! K.C.!

1694
01:37:43,608 --> 01:37:49,279
K.C.! K.C.! K.C.! K.C.!

1695
01:37:49,280 --> 01:37:54,785
K.C.! K.C.! K.C.!
K.C.! K.C.

1696
01:37:54,786 --> 01:37:58,455
K.C.! K.C.! K.C.! K.C.!

1697
01:37:58,456 --> 01:38:22,397
K.C.! K.C.! K.C.!
K.C.! K.C.!


